Artist:. Correggio
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Madonna with St.Jerome
Correggio1.jpg 		1522 Galleria Nazionale, Parma

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Lunette with St.John the Evangelist
Correggio2.jpg 		Church of San Giovanni Evangelista

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The Mystic Marriage of St.Catherine
Correggio3.jpg 		1510-15 National Gallery of Art, Washington DC

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The Adoration of the Magi_3
Correggio4.jpg 		Pinacoteca di Brera, Milan

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Jupiter and Io
Correggio5.jpg 		1531-32 Art History Museum, Vienna

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Noli me Tangere
Correggio6.jpg 		1525 Museo del Prado, Madrid

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Madonna and Child with the Young Saint John
Correggio7.jpg 		1516 Museo del Prado, Madrid

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Madonna with St.George
Correggio8.jpg 		Gemaldegalerie, Dresden

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Adoration of the Shepherds
Correggio9.jpg 		Gemaldegalerie, Dresden

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The Education of Cupid
Correggio10.jpg 		1528 National Gallery, London

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Portrait of a Gentlewoman
Correggio11.jpg 		1517-19 The Hermitage, St.Petersburg

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Allegory of Virtue
Correggio12.jpg 		1632-34 Musee du Louvre, Paris

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Allegory of Vice
Correggio13.jpg 		Musee du Louvre, Paris

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Venus and Cupid with a Satyr
Correggio14.jpg 		1528 Musee du Louvre, Paris

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Ganymede
Correggio15.jpg 		1531-32 Kunsthistorisches Museum, Vienna

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Leda1
Correggio16.jpg 		1531-32 Gemaldegalerie, Berlin

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Madonna della Cesta,
Correggio17.jpg 		National Gallery, London

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Ecce Homo
Correggio18.jpg 		National Gallery, London

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Madonna Worshipping the Child
Correggio19.jpg 		Galleria degli Uffizi, Florence

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The Rest on the Flight to Egypt with Saint Francis
Correggio20.jpg 		1517 Galleria degli Uffizi, Florence

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Martyrdom of Four Saints
Correggio21.jpg 		Galleria Nazionale, Parma

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Deposition
Correggio22.jpg 		Galleria Nazionale, Parma

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Coronation of the Virgin
Correggio23.jpg 		Galleria Nazionale, Parma

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The Adoration of the Magi fg
Correggio24.jpg 		1516-18 Oil on canvas, 84 x 108 cm Pinacoteca di Brera, Milan

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The Mystic Marriage of St Catherine
new1/Calvaert, Denys1.jpg 		c. 1520 Wood, 105 x 102 cm Mus??e du Louvre, Paris

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Allegory of the Virtues (mk05)
new5/Correggio-397942.jpg 		1529-1530 Tempera on canvas,58 1/4 x 34 1/2''(148 x 88 cm).Cabinet des Dessins;entered the Louvre in 1662

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Allegory of the Vices (mk05)
new5/Correggio-656762.jpg 		Tempera on canvas,58 1/4 x 34 1/2''(148 x 88 cm).Cabinet des Dessins;entered the Louvre in 1661

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Venus,Satyr and Cupid (mk05)
new5/Correggio-965759.jpg 		Canvas 74 x 49 1/4\'\'(188 x 125 cm)Painted for Federico Gonzaga;collections of Charles I,Cardinal Mazarin,and Louis XIV;entered the Louvre in 1661

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Portrait of a Youn Man (mk05)
new5/Correggio-773566.jpg 		Wood 231/4 x 17 1/4\'\'(59 x 44 cm).Formerly attributed to Raphael and then to Parmigianino.Enlarged by the artist;entered the Louvre in 1665

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The Mystic Marriage (mk05)
new5/Correggio-563546.jpg 		Wood 411/4 x 40 1/4''(105 x 102 cm).Collections of Cardinal Mazarin and Louis XIV;entered the Louvre in 1661

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Zeus and Antiope (mk08)
new6/Correggio-369775.jpg 		c.1524/25 Oil on canvas, 188x125cm Paris,Musee National du Louvre

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Leda and the Swan (mk08)
new6/Correggio-737928.jpg 		c.1531/32 Oil on canvas 152x191cm Berlin,Gemaldegalerie,Staatliche Museen zu Berlin-Preubischer Kulturbesitz

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Zeus and Io (mk08)
new6/Correggio-488435.jpg 		c.1531/32 Oil on canvas,163.5x74cm Vienna,Kunsthistorisches Museum

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The Abduction of Ganymede (mk08)
new6/Correggio-279868.jpg 		c.1531/32 Oil on canvas, 163.5x70.5cm Vienna,Kunsthistorisches Museum

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The Nativity (nn03)
new8/Correggio-482589.jpg 		1530 Oil on panel 256 x 188 cm 100 3/4 74 in Staatliche Kunstsammlungen Dresden

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Madonna and Child
new3/Correggio-289492.jpg 		mk65 c.1515 Oil on panel

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Noli me tangere
new3/Correggio-452387.jpg 		mk65 c.1522-1525 Oil on canvas 130x103cm

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Madonna and Child in Glory with Angels
new3/Correggio-492383.jpg 		mk65 OIl on panel 7 7/8x6 7/16in Uffizi, Gallery

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The Adoration of the Child
new3/Correggio-692545.jpg 		mk65 Oil on panel 31 7/8x30 5/16in Uffizi,Gallery

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Portrait of a Lady
new3/Correggio-566646.jpg 		mk65 ca.1519 Oil on canvas 40 1/2x34 1/2"

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The Rest on the Flight into Egypt
new3/Correggio-655973.jpg 		mk67 Oil on canvas 48 5/8x41 15/16in Uffizi,Gallery

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Venus and Cupid with a Satyr
new4/Correggio-645782.jpg 		mk68 Oil on canvas 6'2"x4'1 1/2" Paris c.1520 Italy

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Assumption of the Virgin
new4/Correggio-668534.jpg 		mk68 Fresco Parma,Parma Cathedral 1526-1530 Italy

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Allegorie des vertus on La vertu heroique victorieuse des vices
new4/Correggio-639278.jpg 		mk70 Toile H.1.48 L.0.88 Paris,Musee du Louvre

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Venus,Satyre et Cupidon
new4/Correggio-484434.jpg 		mk70 Toile. H.1.88 L.1.25 Paris,Musee du Louvre

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Le mariage mystique de sainte Catherine d'Alexandrie avec saint Sebastien
new4/Correggio-786682.jpg 		mk70 Bois H.1.05 L.1.02 Paris,Musee du Louvre

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Danae,Detail of the two cupids
new4/Correggio-748372.jpg 		mk74 Rome, Galleria Borghese

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Madonna and Child with Angels playing Musical Instruments
new4/Correggio-884784.jpg 		mk74 20x16.3cm Florence, Uffizi

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Modonna and Child with Saint Elizabeth and the Young Saint John
new4/Correggio-353794.jpg 		mk74 77x99cm Milan, Painacoteca di Brera

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Details of Modonna and Child with Saint Elizabeth and the Young Saint John
new4/Correggio-996554.jpg 		mk74 77x99cm Milan, Painacoteca di Brera

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Andrea Mantegna Madonna della Vittoria
new4/Correggio-223425.jpg 		mk74 Paris, Louvre

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Madonna with Saint Francis
new4/Correggio-955729.jpg 		mk74 299x245cm Dresden, Gemaldegalerie

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Madonna and Child with the Young Saint John
new4/Correggio-957542.jpg 		mk74 48x37cm Madrid, Prado

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Details of Madonna and Child with the Young Saint John
new4/Correggio-424648.jpg 		mk74 Madrid, Prado

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Madonna Zingarella
new4/Correggio-847992.jpg 		mk74 49x37cm Naples, Museo di Capodimonte

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Correggio
    Italian 1489-1534 Correggio Locations Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.

Australian Oil Painting Studio Team