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Reproduction of master pieces

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     Market Woman with Fruits, Vegetables and Poultry
     Joachim Beuckelaer1.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     

Width


INS/CM

X

  Market_Woman_with_Fruits,_Vegetables_and_Poultry
1564 Staatliche Kunstsammlungen, Kassel
 
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     Market Woman with Fruit,Vegetables and Poultry (mk14)
     new7/Joachim Beuckelaer-839277.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     

Width


INS/CM

X

  Market_Woman_with_Fruit,Vegetables_and_Poultry_(mk14)
1564 Oil on oakwood,118 x 170.5 cm Schlo Wilhelmshohe,Staatliche Kunstsammlungen,Kassel
 
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     Slaughtered Pig (mk14)
     new7/Joachim Beuckelaer-654682.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     

Width


INS/CM

X

  Slaughtered_Pig_(mk14)
1563 Oil on oakwood,114 x 83 cm Wallraf-Richartz-Museum,Cologne
 
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     Pilate Shows Jesus to the People
     new3/Joachim Beuckelaer-824387.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     

Width


INS/CM

X

  Pilate_Shows_Jesus_to_the_People
mk65 Oil on panel 43 5/16x55 1/8in Uffizi.
 
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     A Village Celebration
     new3/Joachim Beuckelaer-689945.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     

Width


INS/CM

X

  A_Village_Celebration
mk65 1563 Oil on canvas transferred from panel 44x64"
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     Joachim_Beuckelaer
    1535-1574 Flemish Joachim Beuckelaer Galleries b Antwerp, c. 1534; dAntwerp, c. 1574). Flemish painter. He came from an Antwerp family of obscure painters and seems to have spent his entire life there. He trained in the studio of Pieter Aertsen, who in 1542 had married Beuckelaers aunt; he became an independent master and also married in 1560. His earliest known work dates from that year, and his development can be followed closely to 1570. The example of Beuckelaers master remained decisive throughout his career. Not only did he take over Aertsens new repertory of secular subjects, he also completely adopted his stylistic idiom and manner of painting, so that it can be difficult to distinguish the two hands. Beuckelaer was, however, by no means a slavish imitator, and as regards execution he fully bears comparison with Aertsen.
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