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Reproduction of master pieces

Search for the paintings (by art works or/and artists)

   

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     Count Robert de Montesquiou
     Giovanni Boldini1.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

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  Count_Robert_de_Montesquiou
1897 Musee d'Orsay, Paris

 
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     Lady Colin Campbell
     Giovanni Boldini2.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

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Width


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X


  Lady_Colin_Campbell
1897 National Portrait Gallery, London

 
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     Count Robert de Montesquion
     Giovanni Boldini_BURxVK.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

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Width


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  Count_Robert_de_Montesquion
1897(Salon of 1897) 5' 5 1/4'' x 2' 8 1/2''(166 x 82.5 cm)Gift of Henri Pinard,1922

 
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     Henri Rochefort
     Giovanni Boldini_MmjM6G.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

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Width


INS/CM

X


  Henri_Rochefort
ca 1882 2' x 1' 7 3/4''(61 x 50 cm)

 
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     The Melon
     Giovanni Boldini_fvUu47.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  The_Melon
ca 1905 1' 2 1/4'' x 1' 11 1/2''(36.5 x 60 cm)Bequest of Carle Dreyfus,1953

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     Giovanni_Boldini
    1842-1931 Italian Giovanni Boldini Locations Italian painter and printmaker. He received his earliest training from his father, the painter Antonio Boldini (1799-1872). From 1858 he may have attended courses given by Girolamo Domenichini (1813-91) and Giovanni Pagliarini (?1809-78) at the Civico Ateneo di Palazzo dei Diamanti, where he assiduously copied Old Masters. At 18 he was already known in Ferrara as an accomplished portrait painter. In 1862 he went to Florence, where he sporadically attended the Scuola del Nudo at the Accademia di Belle Arti. He frequented the Caffe Michelangiolo, a meeting-place of progressive artists, where he came into contact with the MACCHIAIOLI group of artists.

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