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     Lady with a Lute
     Thomas Wilmer Dewing1.jpg
INCHES CM PRICE  
16x20 40x50 AUD 130
20x24 50x60 AUD 175.5
24x36 60x90 AUD 227.5
30x40 75x100 AUD 292.5
36x48 90x120 AUD 357.5
48x72 120x180 AUD 643.5

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  Lady_with_a_Lute
1886 National Gallery of Art, Washington D.C.

 
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     The Days
     Thomas Wilmer Dewing2.jpg
INCHES CM PRICE  
16x20 40x50 AUD 130
20x24 50x60 AUD 175.5
24x36 60x90 AUD 227.5
30x40 75x100 AUD 292.5
36x48 90x120 AUD 357.5
48x72 120x180 AUD 643.5

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Width


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  The_Days
1886 Wadsworth Atheneum, Hartford,CT

 
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     The Spinet
     new4/Thomas Wilmer Dewing-636582.jpg
INCHES CM PRICE  
16x20 40x50 AUD 130
20x24 50x60 AUD 175.5
24x36 60x90 AUD 227.5
30x40 75x100 AUD 292.5
36x48 90x120 AUD 357.5
48x72 120x180 AUD 643.5

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Width


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  The_Spinet
mk77 1902 Oil on wood 15 1/2x20in

 
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     The Spinet
     new11/Thomas Wilmer Dewing-437233.jpg
INCHES CM PRICE  
16x20 40x50 AUD 130
20x24 50x60 AUD 175.5
24x36 60x90 AUD 227.5
30x40 75x100 AUD 292.5
36x48 90x120 AUD 357.5
48x72 120x180 AUD 643.5

Height     


Width


INS/CM

X


  The_Spinet
mk136 about 1902

 
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     Reverie
     new12/Thomas Wilmer Dewing-928984.jpg
INCHES CM PRICE  
16x20 40x50 AUD 130
20x24 50x60 AUD 175.5
24x36 60x90 AUD 227.5
30x40 75x100 AUD 292.5
36x48 90x120 AUD 357.5
48x72 120x180 AUD 643.5

Height     


Width


INS/CM

X


  Reverie
mk146 before 1928

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     Thomas_Wilmer_Dewing
    1851-1938 Thomas Wilmer Dewing Gallery was an American painter working at the turn of the 20th century. He was born in Newton Lower Falls, Massachusetts. He studied at the Acad??mie Julian in Paris, and later settled into a studio in New York City. He married Maria Oakey Dewing, an accomplished painter with extensive formal art training and familial links with the art world. He is best known for his tonalist paintings, a sub-genre of American art that was rooted in English Aestheticism. Dewing's preferred vehicle of artistic expression is the female figure. Often seated playing instruments, writing letters, or engaged in other impassive actions and situated in gauzy, dreamy interiors, the figures remain remote and distant to the viewer. These scenes are infused with a color that pervades the entire picture, setting tone and mood. The ethereal delicacy and subtle color harmonies of Dewing's paintings have not met with universal approval: some feminist critics have lambasted Dewing's work as being misogynistic; he rarely painted anything other than the female figure, vacant of expression, languishing in sumptuous clothing. Tonalism quickly came to be considered outdated with the advent of modernism and abstraction in art, though Dewing was successful in his own day. His art was considered extremely elegant, and has undergone a subtle revival in the last 10 years or so. Dewing was a member of the Ten American Painters, a group of American Impressionists who seceded from the Society of American Artists in 1897. He spent his summers at the art colony in Cornish, New Hampshire.

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