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     The Retable of Le Cellier (triptych)
     new3/BELLEGAMBE, Jean_bkCbp5.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

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Width


INS/CM

X


  The_Retable_of_Le_Cellier_(triptych)
inner-right panel featuring St. Malachy O\'Morgair & Cistercian Monks, 1508-09, tempera and oil on panel, Metropolitan Museum of Art, New York

 
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     The Retable of Le Cellier
     new3/BELLEGAMBE, Jean_uY6FqC.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  The_Retable_of_Le_Cellier
inner-left panel featuring St. Bernard & Cistercian Monks, 1508-09, tempera and oil on panel, Metropolitan Museum of Art, New York.

 
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     Annunciation ghg
     BELLEGAMBE, Jean1.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  Annunciation_ghg
1516-17 Oil on canvas tansferred from wood, 109 x 80 cm (central), 103 x 33 cm (side) The Hermitage, St. Petersburg

 
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     The Le Cellier Triptych
     BELLEGAMBE, Jean2.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  The_Le_Cellier_Triptych
1508-09 Tempera and oil on wood Metropolitan Museum of Art, New York

 
 Click Image to Enlarge
     The Miracle of Lactation
     new3/BELLEGAMBE, Jean-678464.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  The_Miracle_of_Lactation
mk65 Oil on canvas transferred from panel 40 1/2x 13"

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     BELLEGAMBE,_Jean
    Flemish painter (c. 1480 - c. 1535) South Netherlandish painter and designer. His father, George Bellegambe, a cabinetmaker and musician, was a prominent citizen of Douai. Jean is first mentioned in a document of 1504, when he is referred to as a master painter, a burgher and married. His teacher is unknown, but his work bears some imprint of the art of Jan Provoost, who inherited Simon Marmion's studio. However, Bellegambe might equally have been apprenticed in Bruges or Brussels (possibly in the atelier of the Master of the Legend of St Mary Magdalen, for example), or even in Antwerp. The calm and serenity of Bellegambe's compositions, his treatment of landscape, his lightness of technique, his pursuit of clear, soft colours and delicate harmonies all indicate links with the work of Gerard David and Quinten Metsys. In the 17th century Bellegambe was known as 'the Master of Colours'.

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