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Reproduction of master pieces

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     The Annunciation sdgm
     GRECO, El1.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     

Width


INS/CM

X

  The_Annunciation_sdgm
1569-70 Tempera on panel, 26,5 x 19,5 cm Museo del Prado, Madrid
 
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     Christ Healing the Blind dfh
     GRECO, El2.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     

Width


INS/CM

X

  Christ_Healing_the_Blind_dfh
c. 1570 Oil on canvas, 50 x 61 cm Pinacoteca, Parma
 
 Click Image to Enlarge
     Christ Healing the Blind fg
     GRECO, El3.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     

Width


INS/CM

X

  Christ_Healing_the_Blind_fg
c. 1570 Oil on wood, 66 x 84 cm Gemäldegalerie, Dresden
 
 Click Image to Enlarge
     Portrait of Giulio Clovio dfy
     GRECO, El4.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     

Width


INS/CM

X

  Portrait_of_Giulio_Clovio_dfy
c. 1571 Oil on canvas, 63 x 88,5 cm Museo Nazionale di Capodimonte, Naples
 
 Click Image to Enlarge
     The Piet (The Lamentation of Christ) dfh
     GRECO, El5.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     

Width


INS/CM

X

  The_Piet_(The_Lamentation_of_Christ)_dfh
1571-76 Tempera on panel. 29 x 20 cm Philadelphia Museum of Art, Philadelphia
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     GRECO,_El
    Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,
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