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     Breakfast ar
     VELAZQUEZ, Diego Rodriguez de Silva y1.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

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  Breakfast__ar
about 1617 Oil on canvas, 183 x 116 cm The Hermitage, St. Petersburg

 
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     Peasants at the Table (El Almuerzo) r
     VELAZQUEZ, Diego Rodriguez de Silva y2.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  Peasants_at_the_Table_(El_Almuerzo)_r
c. 1620 Oil on canvas, 96 x 112 cm Museum of Fine Arts, Budapest

 
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     The Immaculate Conception set
     VELAZQUEZ, Diego Rodriguez de Silva y3.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  The_Immaculate_Conception_set
c. 1618 Oil on canvas, 135 x 101.6 cm National Gallery, London

 
 Click Image to Enlarge
     Old Woman Poaching Eggs et
     VELAZQUEZ, Diego Rodriguez de Silva y4.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  Old_Woman_Poaching_Eggs_et
1618 OIl on canvas, 99 x 128 cm National Gallery of Scotland, Edinburgh

 
 Click Image to Enlarge
     St John the Evangelist at Patmos t
     VELAZQUEZ, Diego Rodriguez de Silva y5.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  St_John_the_Evangelist_at_Patmos_t
c. 1618 Oil on canvas, 135 x 102 cm National Gallery, London

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     VELAZQUEZ,_Diego_Rodriguez_de_Silva_y
    Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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