Australian Oil Painting

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Reproduction of master pieces

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     Magdalene r
     VOUET, Simon1.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  Magdalene_r
1614-15 Oil on panel, 63 x 49 cm Palazzo del Quirinale, Rome

 
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     St Catherine er
     new1/VOUET, Simon2.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  St_Catherine_er
1614-15 Oil on panel, 63 x 49 cm Palazzo del Quirinale, Rome

 
 Click Image to Enlarge
     The Fortuneteller w
     VOUET, Simon3.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  The_Fortuneteller__w
1617 Oil on canvas, 95 x 135 cm Galleria Nazionale d'Arte Antica, Rome

 
 Click Image to Enlarge
     The Fortuneteller (detail) aer
     VOUET, Simon4.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  The_Fortuneteller_(detail)_aer
1617 Oil on canvas Galleria Nazionale d'Arte Antica, Rome

 
 Click Image to Enlarge
     Virgin and Child wer
     VOUET, Simon5.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  Virgin_and_Child_wer
Oil on canvas Mus??e des Beaux-Arts, Lyon

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     VOUET,_Simon
    French Baroque Era Painter, 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting

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