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Reproduction of master pieces

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     The Swing (mk09)
     new6/Pierre-Auguste Renoir-247739.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

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  The_Swing_(mk09)
1876 Oil on canvas,92 x 73 cm Paris,Musee d'Orsay

 
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     Two Girls (mk09)
     new6/Pierre-Auguste Renoir-794854.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  Two_Girls_(mk09)
c 1881 Oil on canvas,80 x 65 cm Moscow,Pushkin Museum

 
 Click Image to Enlarge
     The Painter Sisley and his Wife (mk09)
     new6/Pierre-Auguste Renoir-433474.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  The_Painter_Sisley_and_his_Wife_(mk09)
1868 Oil on canvas,105 x 70 cm Cologne,Wallraf-Richartz-Museum

 
 Click Image to Enlarge
     bal au Moulin de la Galette (mk09)
     new6/Pierre-Auguste Renoir-248969.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  bal_au_Moulin_de_la_Galette_(mk09)
1876 Oil on canvas,131 x 175 cm Paris,Musee d'Orsay

 
 Click Image to Enlarge
     La Premiere Sortie (The First Outing) (mk09)
     new6/Pierre-Auguste Renoir-373237.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  La_Premiere_Sortie_(The_First_Outing)_(mk09)
c 1876/77 Oil on canvas,65 x 49.5 cm London,Tate Gallery

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     Pierre-Auguste_Renoir
    French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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