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     The Duke of York with his Entourage in the Veneto (mk25)
     new8/Richard Brompton-755826.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

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  The_Duke_of_York_with_his_Entourage_in_the_Veneto_(mk25)
1764

 
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     Catherine II
     new3/Richard Brompton-549679.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  Catherine_II
mk65 1782 Oil on canvas 321/2x27"

 
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     Admiral Sir Charles Saunders
     new23/Richard Brompton-476895.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  Admiral_Sir_Charles_Saunders
"Admiral Sir Charles Saunders," oil on canvas, by the British artist Richard Brompton. Dated 1772-1773. 1270 mm x 1016 mm. Courtesy of the National Maritime Museum, Greenwich, London. cjr

 
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     Admiral Sir Charles Saunders
     new24/Richard Brompton-636965.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  Admiral_Sir_Charles_Saunders
oil on canvas, by the British artist Richard Brompton. Dated 1772-1773. 1270 mm x 1016 mm cyf

 
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     Portrait of Aleksandra Branicka lady-in-waiting of Catherine II
     new24/Richard Brompton-663678.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  Portrait_of_Aleksandra_Branicka_lady-in-waiting_of_Catherine_II
1781 cjr

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     Richard_Brompton
    1734-1783 English painter. He trained in London with Benjamin Wilson before going to Rome in 1757, where he studied with Anton Raphael Mengs. In Rome he met Charles Compton, 7th Earl of Northampton, who paid him an allowance and in Venice in 1763 introduced him to Edward Augustus, Duke of York. The Duke commissioned a conversation piece of himself and his travelling companions (version, 1764; London, Kew Pal., Royal Col.). The figures are awkwardly posed, but the polished elegance of each shows the influence of Mengs. In 1765 Brompton returned to London with Nathaniel Dance and established a good practice with small-scale works in the manner of Johann Zoffany, such as William Pitt, 1st Earl of Chatham (1772; Chevening, Kent), which exists in several versions. He also produced portraits on a larger scale, including the enormous Henry Dawkins with his Family (1773; Over Norton Hall, Oxon).

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