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     The Town of Spiez on Lake Thun,Switzerland (mk37)
     new8/Albert goodwin,r.w.s-473839.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  The_Town_of_Spiez_on_Lake_Thun,Switzerland_(mk37)
pen and black ink,and bodycolour 9 5/8x14 3/8in

 
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     A Sunday Morning in Engelberg,Switzerland (mk37)
     new8/Albert goodwin,r.w.s-655654.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  A_Sunday_Morning_in_Engelberg,Switzerland_(mk37)
pen and black ink and watercolour with scratching out 10 3/8x14 5/8

 
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     Lucerne,Switzerland (mk37)
     new8/Albert goodwin,r.w.s-397378.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  Lucerne,Switzerland_(mk37)
watercolour heightened with touches of white 17 3/8x11in

 
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     The Town of Fluelen,Switzerland (mk37)
     new8/Albert goodwin,r.w.s-683528.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  The_Town_of_Fluelen,Switzerland_(mk37)
pen and black ink and watercolour heightened with scratching out on brown paper

 
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     Ponte Vecchio Florence
     new3/Albert goodwin,r.w.s-669642.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  Ponte_Vecchio_Florence
c 1890 watercolour 24.1 x 34.2 cm (9 1/2 x 13 1/2 in) Private collection (mk63)

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     Albert_goodwin,r.w.s
    1845-1932 English painter. During the early 1860s Goodwin studied with Arthur Hughes and Ford Madox Brown, who predicted that his pupil would become 'one of the greatest landscape painters of the age'. Hughes and Brown impressed on Goodwin the Pre-Raphaelite principles of high finish, vivid colour and working directly from nature that inform his early landscape style,

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