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     Black Poplars at Pangbourne (mk46)
     new2/George Price Boyce.RWS-676698.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

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Width


INS/CM

X


  Black_Poplars_at_Pangbourne_(mk46)
1868 Watercolur 36.8x53.3cm

 
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     Night Sket ch of the Thames near Hungerford Bridge
     new3/George Price Boyce.RWS-462869.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  Night_Sket_ch_of_the_Thames_near_Hungerford_Bridge
c 1866 Watercolour,22.2 x 33.6 cm(8 3/4 x 13 1/4 in) Tate Gallery London (mk63)

 
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     Elgiva
     new24/George Price Boyce.RWS-453459.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  Elgiva
oil on canvas Private Collection Date 1855 cyf

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     George_Price_Boyce.RWS
    1826-1897 English painter. He was the son of a prosperous wine merchant and pawnbroker. His childhood was spent in London, and in 1846 he was apprenticed to the firm of architects Wyatt & Brandon, where he remained for three years. He was always fascinated by ancient buildings but gradually lost interest in architecture as a career. In 1849, perhaps as a result of meeting David Cox at Betws-y-Coed (Gwynedd, Wales), he decided to become a painter. In the early 1850s Boyce drew landscape and architectural subjects with a fluent watercolour technique derived from Cox. In 1854 Boyce made an extended journey to Italy; he painted views of buildings in Venice and Verona, which were commended by Ruskin, and semi-abstract twilight studies

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