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Self-Portrait by a Window with a View on the Kremlin
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Self-Portrait_by_a_Window_with_a_View_on_the_Kremlin
mk52
1846
Oil on canvas
106x84.5cm
Tret yakov Gallery,Moscow
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Lacemaker
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Lacemaker
mk193
1823
Oil on canvas
74.7x59.3cm
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Portrait of the Writer Varvara Lizogub
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Portrait_of_the_Writer_Varvara_Lizogub
mk193
1847
Oil on canvas
82.5x68cm
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The Gold-Embroideress,
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The_Gold-Embroideress,
The Gold-Embroideress, 1826
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Girl from Podillya,
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Girl_from_Podillya,
Girl from Podillya, 1804-1807
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Vasily_Tropinin
1776-1857
Russian painter. He was born a serf and in 1790 was apprenticed to a pastrycook in St Petersburg. From 1793 he attended classes at the Academy of Art there, in 1799 becoming a pupil of the portrait painter Stepan Shchukin (1762-1828). In 1804 he was sent to work as a pastrycook and manservant on an estate in the Ukraine owned by his master, General Morkov. Tropinin's Ukrainian period (1804-21) was interrupted by frequent, often protracted, visits to Moscow. During these years he copied a great deal, drew landscapes from nature and also painted religious subjects. His early style is painterly and distinguished by freedom of execution and skill in the use of colour, but the compositions are derivative and the drawing weak: The Spinner (1820s), The Lacemaker (1823), Wedding in the Village of Kukavka, Podolsky Province and Girl with a Bird (all Moscow, Tret'yakov Gal.). Portraiture, however, began to take on a more important place in his work; the best of this period is the Portrait of Arseny, the Artist's Son (1818; Moscow, Tret'yakov Gal.), especially notable for its use of colour. Tropinin captured perfectly the child's spontaneous vision of the world, his sensitive spirit and openness. While in Moscow from 1813 to 1818, he portrayed a series of important cultural figures that brought him great popularity. He was freed from serfdom on 8 May 1823 and shortly thereafter he became a nominee to the Academy for his paintings The Lacemaker |
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