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     The Departure of the prodigal son
     new3/Jan Weenix-233956.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     

Width


INS/CM

X

  The_Departure_of_the_prodigal_son
mk56 oil on canvas
 
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     A Deerhound with Dead Game and Implements of the Chase
     new16/Jan Weenix-527886.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     

Width


INS/CM

X

  A_Deerhound_with_Dead_Game_and_Implements_of_the_Chase
mk170 1708 Oil on canvas 173.5x157cm
 
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     After the Hunt
     new22/Jan Weenix-765888.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     

Width


INS/CM

X

  After_the_Hunt
1665 Oil on wood 44,7 x 34,5 cm
 
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     A monkey and a dog beside dead game and fruit, with the estate of Rijxdorp near Wassenaar in the background
     new23/Jan Weenix-586473.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     

Width


INS/CM

X

  A_monkey_and_a_dog_beside_dead_game_and_fruit,_with_the_estate_of_Rijxdorp_near_Wassenaar_in_the_background
1714 Oil on canvas 172 X 160 cm (67.72 X 62.99 in)
 
 Click Image to Enlarge
     After the Hunt
     new23/Jan Weenix-346978.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     

Width


INS/CM

X

  After_the_Hunt
1665(1665) Oil on wood 44,7 X 34,5 cm
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     Jan_Weenix
    Dutch Baroque Era Painter , Amsterdam 1640/42-1719 Painter and draughtsman, son of (1) Jan Baptist Weenix. Jan probably received his first instruction as a painter from his father, and it is possible that he helped finish certain of his father's works. He probably remained in Utrecht after his father's death. By 1664 he had become a member of the Guild of St Luke in Utrecht without, however, having submitted the required entrance painting, which he provided by 1668. There are several documented references to Jan in the late 1660s. He inherited a legacy along with his uncle, the painter Barent Micker, and other family members in 1667, at which time Gillis, his younger brother, apparently still required a guardian. He received another legacy in 1668, the year of his marriage, and in 1669 served as a witness for the inventory of the painter Jacob de Hennin (1629-c. 1688) in The Hague.
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