| |
 |
| Click Image to Enlarge |
Assault on a Convoy
new3/Sebastian Vrancx-668752.jpg |
| |
|
Assault_on_a_Convoy
mk61
Sebastian Vrancx and Jan Brueghel the Elder
Oil on panel
46x86cm
|
|
 |
| Click Image to Enlarge |
January
new25/Sebastian Vrancx-659564.jpg |
| |
|
January
first half of 17th century
Medium Oil on wood
cyf
|
|
 |
| Click Image to Enlarge |
The Battle of Stadtlohn
new25/Sebastian Vrancx-963577.jpg |
| |
|
The_Battle_of_Stadtlohn
oil on panel
63.5 x 95.3 cm
cyf
|
|
|
| Prev Artist Next Artist |
|
Sebastian_Vrancx
Flemish Baroque Era Painter ,
b. 1573, Antwerpen, d. 1647, Antwerpen
Antwerpen,was a Flemish Baroque painter and etcher of the Antwerp school. He was an apprentice in the workshop of Adam van Noort, who also trained many illustrious painters such as Peter Paul Rubens, Jacob Jordaens and Hendrik van Balen. He also visited the workshop of the Antwerp painter Paul Bril in Rome around 1600. He was esteemed as one of the main painters of battle scenes, and works by Vrancx were in the collection of Peter Paul Rubens. As a collaborator he worked at times with Jan Brueghel the Elder. and together with Rubens, Frans Francken the Younger, van Balen, Frans Snyders and Joos de Momper the Younger on the Allegory of the Senses, two works commissioned on the occasion of the archduke Albert of Austria's visit to Antwerp. His best-known student is Pieter Snayers. Most of his pictures represent biblical scenes or scenes of war, such as the sack of towns, cavalry combats, genre paintings and allegorical subjects. Though occasionally vigorous in drawing, his paintings are dull and heavy in tone. He was at the same time a writer of poetry, comedies and tragicomedies for the chamber of rhetoric De Violieren. He was served as dean of the Antwerp painters' Guild of St. Luke, and was a district head and captain of the militia. His works can be found in the Royal Museum of Fine Arts in Antwerp, |
|
| Wholesale Australian Oil Painting Wholesale Australia Oil Painting Portrait Reproduction on canvas USA Oil Painting |
|
