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Christ's Entrane into Jerusalem
new3/Santi Di Tito-258432.jpg |
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Christ's_Entrane_into_Jerusalem
mk65
Oil on panel
137 13/16x90 9/16in
Accademia,Gallery
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The Depostition from the Cross with the Virgin,SS.Johnt the Baptist and Catherine of Alexandria,and the Patron,Bal-dassarre Suarez
new3/Santi Di Tito-454584.jpg |
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The_Depostition_from_the_Cross_with_the_Virgin,SS.Johnt_the_Baptist_and_Catherine_of_Alexandria,and_the_Patron,Bal-dassarre_Suarez
mk65
Oil on panel
78 3/4x66 1/8in
Accademia,Gallery
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Portrait of Niccolo Macchiavelli
new4/Santi Di Tito-825836.jpg |
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Portrait_of_Niccolo_Macchiavelli
mk68
oil on canvas
Florence,
Palazzo Vecchio
c.1580
Italy
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Vision of St Thomas Aquinas
new24/Santi Di Tito-376777.jpg |
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Vision_of_St_Thomas_Aquinas
1593(1593)
Oil on panel
233 cm (91.7 in). Height: 362 cm (142.5 in).
cjr
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Vision of St Thomas Aquinas
new24/Santi Di Tito-376786.jpg |
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Vision_of_St_Thomas_Aquinas
1593(1593)
Medium Oil on panel
Dimensions Height: 362 cm (142.5 in). Width: 233 cm (91.7 in).
cyf
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Santi_Di_Tito
Italian Painter and Architect, 1536-ca.1602
was an Italian painter of Late-Mannerist or proto-Baroque style, what is sometimes referred to as Contra-Maniera. Born in Borgo San Sepolcro, in Tuscany. There is little documentation to support the alleged training under Bronzino or Baccio Bandinelli. From 1558-1564, he worked in Rome on frescoes in Palazzo Salviati and the Sala Grande of the Belvedere (Homage of the People) alongside Giovanni de' Vecchi and Niccol?? Circignani. He acquired a classical trait, described as Raphaelesque by S.J. Freedburg. This style contrasted with the reigning ornate Roman painterliness of the Federico and Taddeo Zuccari or their Florentine equivalents: Vasari, Alessandro Allori, and Bronzino. Among his pupils was Cigoli. Another pupil named Francesco Mochi became a sculptor in the Baroque style, creating among other pieces, the colossal Saint Veronica', supervised by Gianlorenzo Bernini and placed in the crossing of St. Peter's Basilica in Rome. After returning to Florence in 1564, He joined the Accademia del Disegno, and he did not venture to paint outside of Tuscany. He contributed two unusual paintings for the Duke's study and laboratory, the Studiolo of Francesco I in the Palazzo Vecchio. This artistic project was partly overseen by Giorgio Vasari. These paintings are (the Sisters of Fetonte and Hercules and Iole). |
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