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Reproduction of master pieces

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     Crucifixion dgd
     EYCK, Jan van1.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     

Width


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  Crucifixion_dgd
1420-25 Oil on wood transferred to canvas, 56,5 x 19,5 cm Metropolitan Museum of Art, New York
 
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     Last Judgment sfg
     EYCK, Jan van2.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     

Width


INS/CM

X

  Last_Judgment_sfg
1420-25 Oil on wood transferred to canvas, 56,5 x 19,5 cm Metropolitan Museum of Art, New York
 
 Click Image to Enlarge
     Madonna in the Church dfh
     EYCK, Jan van3.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     

Width


INS/CM

X

  Madonna_in_the_Church_dfh
c. 1425 Oil on wood, 32 x 14 cm Staatliche Museen, Berlin
 
 Click Image to Enlarge
     Stigmatization of St Francis df
     EYCK, Jan van4.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     

Width


INS/CM

X

  Stigmatization_of_St_Francis_df
1428-29 Oil on wood, 12,5 x 14,5 cm Philadelphia Museum of Art, Philadelphia
 
 Click Image to Enlarge
     Portrait of a Goldsmith (Man with Ring) dfg
     EYCK, Jan van5.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     

Width


INS/CM

X

  Portrait_of_a_Goldsmith_(Man_with_Ring)_dfg
c. 1430 Wood, 16,6 x 13,2 cm (without frame) Romanian National Museum, Bucharest
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     EYCK,_Jan_van
    Flemish Northern Renaissance Painter, ca.1395-1441 Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d'Heere, Jan trained with his brother Hubert. Pietro Summonte's assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan's works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of 'Master', working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege.
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