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A Rough Surf
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A_Rough_Surf
between 1890(1890) and 1900(1900)
Oil on composition board
20.8 x 36.5 cm (8.19 x 14.37 in)
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River Valley in the Moonlight
new23/William Trost Richards-758484.jpg |
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River_Valley_in_the_Moonlight
ca. 1855(1855)
Oil on heavy paper
20.5 x 31.9 cm (8.07 x 12.56 in)
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Early Summer
new23/William Trost Richards-768374.jpg |
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Early_Summer
ca. 1888(1888)
Oil on canvas
61.6 x 51 cm (24.25 x 20.08 in)
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Old Orchard at Newport
new23/William Trost Richards-364768.jpg |
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Old_Orchard_at_Newport
ca. 1875(1875)
Oil on canvas
63.5 x 101.6 cm (25 x 40 in)
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The League Long Breakers Thundering on the Reef
new23/William Trost Richards-373463.jpg |
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The_League_Long_Breakers_Thundering_on_the_Reef
ca. 1887(1887)
Oil on canvas
71.6 x 112.1 cm (28.19 x 44.13 in)
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William_Trost_Richards
(June 3, 1833 - April 17, 1905) was an American landscape artist associated with both the Hudson River School and the American Pre-Raphaelite movement.
William Trost Richards was born on 3 June 1833 in Philadelphia. In 1846 and 1847 he attended the local Central High School. Between 1850 and 1855 he studied part-time with the German artist Paul Weber while working as designer and illustrator of ornamental metalwork. Richards first public showing was part of an exhibition in New Bedford, Massachusetts, organized by artist Albert Bierstadt in 1858. In 1862 he was elected honorary member of the National Academy of Design and Academician in 1871. In 1863, he became a member of the Association of the Advanced of Truth in Art, an American Pre-Raphaelite group. In 1866, he departed for Europe for one year. Upon his return and for the following six years he spent the summers on the East Coast. In the 1870s, he produced many acclaimed watercolor views of the White Mountains, several of which are now in the collection of the Metropolitan Museum of Art. Richards exhibited at the National Academy of Design from 1861 to 1899 and at the Brooklyn Art Association from 1863 to 1885. He was elected a full member of the National Academy in 1871.
Richards rejected the romanticized and stylized approach of other Hudson River painters and instead insisted on meticulous factual renderings. His views of the White Mountains are almost photographic in their realism. In later years, Richards painted almost exclusively marine watercolors.
His works are featured today in many important American museums, including the National Gallery, the Smithsonian American Art Museum, the Wadsworth Atheneum, the Philadelphia Museum of Art, the Yale University Art Gallery, the High Museum of Art, the Museum of Fine Arts, Boston, the Fogg Art Museum, the Brooklyn Museum of Art and the Thyssen-Bornemisza Museum.
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