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     Stilleben mit Quitte, Kohl, Melone und Gurke
     new24/Juan Sanchez Cotan-754343.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

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  Stilleben_mit_Quitte,_Kohl,_Melone_und_Gurke
c. 1602 Oil on canvas 65,5 X 81 cm cjr

 
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     Melone und Gurke
     new24/Juan Sanchez Cotan-454793.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  Melone_und_Gurke
Date Deutsch: um 1602 English: c. 1602 Medium Oil on canvas Dimensions Deutsch: 65,5 ?? 81 cm cyf

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     Juan_Sanchez_Cotan
    (June 25, 1560 - September 8, 1627) was a Spanish Baroque painter, a pioneer of realism in Spain. His still lifes, also called bodegones were painted in a strikingly austere style, especially when compared to similar works in Netherlands and Italy. Senchez Coten was born in the town of Orgaz, near Toledo, Spain. He was a friend and perhaps pupil of Blas de Prado, an artist famous for his still lifes whose mannerist style with touches of realism, the disciple developed further. Cotan began by painting altar pieces and religious works. For approximately twenty years, he pursued a successful career in Toledo as an artist, patronized by the city's aristocracy, painting religious scenes, portraits and still lifes. These paintings found a receptive audience among the educated intellectuals of Toledo society. Senchez Cotan executed his notable still lifes around the turn of the seventeenth century, before the end of his secular life. An example (seen above) is Quince, Cabbage, Melon and Cucumber (1602, in the San Diego Museum of Art). On August 10, 1603, Juan Sanchez Cotan, then in his forties, closed up his workshop at Toledo to renounce the world and enter the Carthusian monastery Santa Maria de El Paular. He continued his career painting religious works with singular mysticism. In 1612 he was sent to the Granada Charterhouse, he decided to become a monk, and in the following year he entered the Carthusian monastery at Granada as a laybrother. The reasons for this are not clear, though such action was not unusual in Cotan's day.

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