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Colonel Augustus James Pleasonton
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Colonel_Augustus_James_Pleasonton
Date 1846(1846)
Medium Oil on canvas
Dimensions 91.8 x 74.2 cm (36.1 x 29.2 in)
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Portrait of a gentleman
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Portrait_of_a_gentleman
Date 1845(1845)
Medium Oil on canvas
Dimensions 76.2 x 63.5 cm (30 x 25 in)
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The Reverend John Albert Ryan
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The_Reverend_John_Albert_Ryan
Date 1825/1829
Medium Oil on canvas
Dimensions 76.5 x 63.8 cm (30.1 x 25.1 in)
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Portrait of a man in coat
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Portrait_of_a_man_in_coat
Date 1840(1840)
Medium Oil on canvas
Dimensions 76.8 x 62.9 cm (30.2 x 24.8 in)
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John Haviland
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John_Haviland
Date 1828(1828)
Medium Oil on canvas
Dimensions 83.8 x 66 cm (33 x 26 in)
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John_Neagle
1796-1860
John Neagle Gallery
Neagle's training in art began with instruction from the drawing-master Pietro Ancora and an apprenticeship to Thomas Wilson, a well-connected painter of signs and coaches in Philadelphia. Wilson introduced him to the painters Bass Otis and Thomas Sully, and Neagle became a protege of the latter. In 1818 Neagle decided to concentrate exclusively on portraits, setting up shop as an independent master.
Aside from brief sojourns in Lexington, Kentucky, and New Orleans, Louisiana, he spent his career in Philadelphia. In May 1826 he married Sully's stepdaughter Mary, and for a time the son-in-law and father-in-law dominated the field of portraiture in the city. Neagle served as Director of the Pennsylvania Academy of Fine Arts, and was also a founder and president (1835-43) of the Artist's Fund Society of Philadelphia. |
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