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Jean Marc Nattier

A.B.Kurakin
mk60 1728 Oil_on_canvas 51_1/2x43"
  Jean Marc Nattier 

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Jean_Marc_Nattier
A.B.Kurakin
new3/Jean Marc Nattier-832427.jpg

INCHES CM PRICE  
16x20 40x50 AUD 118
20x24 50x60 AUD 159.3
24x36 60x90 AUD 206.5
30x40 75x100 AUD 265.5
36x48 90x120 AUD 324.5
48x72 120x180 AUD 536.9

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    mk60 1728 Oil on canvas 51 1/2x43"
    1685-1766 French Jean Marc Nattier Gallery Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.

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