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BERCKHEYDE, Gerrit Adriaensz.
Dutch Baroque Era Painter, 1638-1698 Brother of Job Berckheyde. Gerrit specialized in a particular type of architectural subject, the TOWNSCAPE. His painted work shows a debt not only to Pieter Saenredam's conception of the building portrait but also to Saenredam's refined draughtsmanship and dispassionate attitude; these qualities mark Berckheyde as a classicist and akin to Vermeer. Berckheyde favoured views of monuments on large open squares, a choice that distinguishes him from the other great Dutch townscape painter, Jan van der Heyden, who preferred views along canals in which clarity was sacrificed for pictorial effect.
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BERCKHEYDE, Gerrit Adriaensz. Dam Square, Amsterdam oil painting


Dam Square, Amsterdam

Painting ID::  5152 		BERCKHEYDE, Gerrit Adriaensz.
Dutch Baroque Era Painter, 1638-1698 Brother of Job Berckheyde. Gerrit specialized in a particular type of architectural subject, the TOWNSCAPE. His painted work shows a debt not only to Pieter Saenredam's conception of the building portrait but also to Saenredam's refined draughtsmanship and dispassionate attitude; these qualities mark Berckheyde as a classicist and akin to Vermeer. Berckheyde favoured views of monuments on large open squares, a choice that distinguishes him from the other great Dutch townscape painter, Jan van der Heyden, who preferred views along canals in which clarity was sacrificed for pictorial effect.
Dam Square, Amsterdam
Oil on oak, 41 x 55,5 cm Gemäldegalerie, Dresden
   
   
     
BERCKHEYDE, Gerrit Adriaensz. The Interior of the Grote Kerk (St Bavo) at Haarlem oil painting


The Interior of the Grote Kerk (St Bavo) at Haarlem

Painting ID::  5153 		BERCKHEYDE, Gerrit Adriaensz.
Dutch Baroque Era Painter, 1638-1698 Brother of Job Berckheyde. Gerrit specialized in a particular type of architectural subject, the TOWNSCAPE. His painted work shows a debt not only to Pieter Saenredam's conception of the building portrait but also to Saenredam's refined draughtsmanship and dispassionate attitude; these qualities mark Berckheyde as a classicist and akin to Vermeer. Berckheyde favoured views of monuments on large open squares, a choice that distinguishes him from the other great Dutch townscape painter, Jan van der Heyden, who preferred views along canals in which clarity was sacrificed for pictorial effect.
The Interior of the Grote Kerk (St Bavo) at Haarlem
1673 Oil on wood, 61 x 85 cm National Gallery, London
   
   
     
BERCKHEYDE, Gerrit Adriaensz. The Market Square at Haarlem with the St Bavo oil painting


The Market Square at Haarlem with the St Bavo

Painting ID::  5154 		BERCKHEYDE, Gerrit Adriaensz.
Dutch Baroque Era Painter, 1638-1698 Brother of Job Berckheyde. Gerrit specialized in a particular type of architectural subject, the TOWNSCAPE. His painted work shows a debt not only to Pieter Saenredam's conception of the building portrait but also to Saenredam's refined draughtsmanship and dispassionate attitude; these qualities mark Berckheyde as a classicist and akin to Vermeer. Berckheyde favoured views of monuments on large open squares, a choice that distinguishes him from the other great Dutch townscape painter, Jan van der Heyden, who preferred views along canals in which clarity was sacrificed for pictorial effect.
The Market Square at Haarlem with the St Bavo
1696 Oil on canvas Frans Halsmuseum, Haarlem
   
   
     
BERCKHEYDE, Gerrit Adriaensz. Amsterdam, the Nieuwezijds near the Bloemmarkt oil painting


Amsterdam, the Nieuwezijds near the Bloemmarkt

Painting ID::  5155 		BERCKHEYDE, Gerrit Adriaensz.
Dutch Baroque Era Painter, 1638-1698 Brother of Job Berckheyde. Gerrit specialized in a particular type of architectural subject, the TOWNSCAPE. His painted work shows a debt not only to Pieter Saenredam's conception of the building portrait but also to Saenredam's refined draughtsmanship and dispassionate attitude; these qualities mark Berckheyde as a classicist and akin to Vermeer. Berckheyde favoured views of monuments on large open squares, a choice that distinguishes him from the other great Dutch townscape painter, Jan van der Heyden, who preferred views along canals in which clarity was sacrificed for pictorial effect.
Amsterdam, the Nieuwezijds near the Bloemmarkt
1670-75 Oil on canvas, 45 x 61 cm Historisch Museum, Amsterdam
   
   
     
BERCKHEYDE, Gerrit Adriaensz. Amsterdam, the Nieuwezijds near the Bloemmarkt ffd oil painting


Amsterdam, the Nieuwezijds near the Bloemmarkt ffd

Painting ID::  5156 		BERCKHEYDE, Gerrit Adriaensz.
Dutch Baroque Era Painter, 1638-1698 Brother of Job Berckheyde. Gerrit specialized in a particular type of architectural subject, the TOWNSCAPE. His painted work shows a debt not only to Pieter Saenredam's conception of the building portrait but also to Saenredam's refined draughtsmanship and dispassionate attitude; these qualities mark Berckheyde as a classicist and akin to Vermeer. Berckheyde favoured views of monuments on large open squares, a choice that distinguishes him from the other great Dutch townscape painter, Jan van der Heyden, who preferred views along canals in which clarity was sacrificed for pictorial effect.
Amsterdam, the Nieuwezijds near the Bloemmarkt ffd
Graphite, partially strengthened with pen and ink Koninklijk Oudheidkundig Genootschap, Amsterdam
   
   
     
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     BERCKHEYDE, Gerrit Adriaensz.
     Dutch Baroque Era Painter, 1638-1698 Brother of Job Berckheyde. Gerrit specialized in a particular type of architectural subject, the TOWNSCAPE. His painted work shows a debt not only to Pieter Saenredam's conception of the building portrait but also to Saenredam's refined draughtsmanship and dispassionate attitude; these qualities mark Berckheyde as a classicist and akin to Vermeer. Berckheyde favoured views of monuments on large open squares, a choice that distinguishes him from the other great Dutch townscape painter, Jan van der Heyden, who preferred views along canals in which clarity was sacrificed for pictorial effect.

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