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BRONZINO, Agnolo
Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.
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BRONZINO, Agnolo Bia, The Illegitimate Daughter of Cosimo I de Medici oil painting


Bia, The Illegitimate Daughter of Cosimo I de Medici

Painting ID::  5395 		BRONZINO, Agnolo
Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.
Bia, The Illegitimate Daughter of Cosimo I de Medici
c. 1542 Oil on wood, 63 x 48 cm Galleria degli Uffizi, Florence
   
   
     
BRONZINO, Agnolo Cosimo I de Medici in Armour oil painting


Cosimo I de Medici in Armour

Painting ID::  5396 		BRONZINO, Agnolo
Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.
Cosimo I de Medici in Armour
1545 Oil on wood, 74 x 58 cm Galleria degli Uffizi, Florence
   
   
     
BRONZINO, Agnolo Portrait of Eleanora di Toledo oil painting


Portrait of Eleanora di Toledo

Painting ID::  5397 		BRONZINO, Agnolo
Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.
Portrait of Eleanora di Toledo
1560 Wood National Gallery of Art, Washington
   
   
     
BRONZINO, Agnolo Eleonora of Toledo with her son Giovanni de Medici oil painting


Eleonora of Toledo with her son Giovanni de Medici

Painting ID::  5398 		BRONZINO, Agnolo
Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.
Eleonora of Toledo with her son Giovanni de Medici
1544-45 Oil on wood, 115 x 96 cm Galleria degli Uffizi, Florence
   
   
     
BRONZINO, Agnolo Portrait of Francesco I de Medici oil painting


Portrait of Francesco I de Medici

Painting ID::  5399 		BRONZINO, Agnolo
Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.
Portrait of Francesco I de Medici
1551 Tempera on wood, 58,5 x 41,5 cm Galleria degli Uffizi, Florence
   
   
     
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     BRONZINO, Agnolo
     Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.

Buy with confident: 100% money back guaranty if not satisfy
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