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Ferdinand Roybet
1840-1920 French painter. Although he studied engraving at the Ecole des Beaux-Arts in Lyon, he very early devoted himself exclusively to painting. In 1864 he settled in Paris, where his lyrical, zestful canvases, for example a Jester at the Court of Henry III , quickly met with success. They chiefly show characters in medieval or Renaissance costume in attitudes of studied ease. Critics noted his strong colours and firm brushwork, regretting only that his shadows seemed too sooty.
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Ferdinand Roybet Le Divertissement du marabout huile sur toile (mk32) oil painting


Le Divertissement du marabout huile sur toile (mk32)

Painting ID::  25071 		Ferdinand Roybet
1840-1920 French painter. Although he studied engraving at the Ecole des Beaux-Arts in Lyon, he very early devoted himself exclusively to painting. In 1864 he settled in Paris, where his lyrical, zestful canvases, for example a Jester at the Court of Henry III , quickly met with success. They chiefly show characters in medieval or Renaissance costume in attitudes of studied ease. Critics noted his strong colours and firm brushwork, regretting only that his shadows seemed too sooty.
Le Divertissement du marabout huile sur toile (mk32)
signee 89 x 129 cm Anc Galerie Antinea Paris Roybet Qui introduisait souvent des domestiques Noires dans ses peintures orientalistes les montre bien habillees dans un cadre confortable ces esclaves etaient mieux protegees par la loi et moins dependantes que les concubines des grands harems
   
   
     
Ferdinand Roybet L'Essayage de la parure (mk32) oil painting


L'Essayage de la parure (mk32)

Painting ID::  25160 		Ferdinand Roybet
1840-1920 French painter. Although he studied engraving at the Ecole des Beaux-Arts in Lyon, he very early devoted himself exclusively to painting. In 1864 he settled in Paris, where his lyrical, zestful canvases, for example a Jester at the Court of Henry III , quickly met with success. They chiefly show characters in medieval or Renaissance costume in attitudes of studied ease. Critics noted his strong colours and firm brushwork, regretting only that his shadows seemed too sooty.
L'Essayage de la parure (mk32)
huile sur toile signee et datee Alger 1872 120 x 150 cm Coll Part Tandis que la favorite infatuee d'elle-meme essaie toujours plus de bijoux une servante noire apporte des etoffes et une ceinture brodees d'or apparemment un peu incertaine de l'humeur de cette femme gatee
   
   
     
Ferdinand Roybet federiksborg castle oil painting


federiksborg castle

Painting ID::  56222 		Ferdinand Roybet
1840-1920 French painter. Although he studied engraving at the Ecole des Beaux-Arts in Lyon, he very early devoted himself exclusively to painting. In 1864 he settled in Paris, where his lyrical, zestful canvases, for example a Jester at the Court of Henry III , quickly met with success. They chiefly show characters in medieval or Renaissance costume in attitudes of studied ease. Critics noted his strong colours and firm brushwork, regretting only that his shadows seemed too sooty.
federiksborg castle
mk247 1848,oil on canvas,private collection
   
   
     
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     Ferdinand Roybet
     1840-1920 French painter. Although he studied engraving at the Ecole des Beaux-Arts in Lyon, he very early devoted himself exclusively to painting. In 1864 he settled in Paris, where his lyrical, zestful canvases, for example a Jester at the Court of Henry III , quickly met with success. They chiefly show characters in medieval or Renaissance costume in attitudes of studied ease. Critics noted his strong colours and firm brushwork, regretting only that his shadows seemed too sooty.

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