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HESS, Heinrich Maria von
German painter b. 1798, Dsseldorf, d. 1863, Mnchen,German painter. After training (1813-17) under Peter von Langer (1756-1824) at the Akademie der bildenden Kenste in Munich, he painted religious subjects under the influence of Peter Cornelius. In 1821 he joined the Lukasbreder, and the circle around Crown Prince Ludwig I of Bavaria, in Rome. Apollo among the Muses (1824; Munich, Neue Pin.), painted for Maximilian I, shows Hess to be among the most gifted of the German artists working in Rome. The influence of Raphael, glowing but carefully harmonized colours, gliding figures and drapery animate this early masterpiece. Among other important works from this time are exquisitely detailed and colouristically sophisticated, intimate character portraits with early Renaissance settings, such as that of Marchesa Marianna Florenzi (1824; Munich, Neue Pin.), as well as fresh and lively Naturalist landscapes from the environs of Rome, for example Campagna Landscape near Ponte Nomentano (1821-6; Hamburg, Ksthalle).
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HESS, Heinrich Maria von Portrait of Fanny Gail oil painting


Portrait of Fanny Gail

Painting ID::  44048 		HESS, Heinrich Maria von
German painter b. 1798, Dsseldorf, d. 1863, Mnchen,German painter. After training (1813-17) under Peter von Langer (1756-1824) at the Akademie der bildenden Kenste in Munich, he painted religious subjects under the influence of Peter Cornelius. In 1821 he joined the Lukasbreder, and the circle around Crown Prince Ludwig I of Bavaria, in Rome. Apollo among the Muses (1824; Munich, Neue Pin.), painted for Maximilian I, shows Hess to be among the most gifted of the German artists working in Rome. The influence of Raphael, glowing but carefully harmonized colours, gliding figures and drapery animate this early masterpiece. Among other important works from this time are exquisitely detailed and colouristically sophisticated, intimate character portraits with early Renaissance settings, such as that of Marchesa Marianna Florenzi (1824; Munich, Neue Pin.), as well as fresh and lively Naturalist landscapes from the environs of Rome, for example Campagna Landscape near Ponte Nomentano (1821-6; Hamburg, Ksthalle).
Portrait of Fanny Gail
1820-21 Oil on canvas, 55 x 46 cm
   
   
     
HESS, Heinrich Maria von The Entry of King Othon of Greece into Nauplia oil painting


The Entry of King Othon of Greece into Nauplia

Painting ID::  44057 		HESS, Heinrich Maria von
German painter b. 1798, Dsseldorf, d. 1863, Mnchen,German painter. After training (1813-17) under Peter von Langer (1756-1824) at the Akademie der bildenden Kenste in Munich, he painted religious subjects under the influence of Peter Cornelius. In 1821 he joined the Lukasbreder, and the circle around Crown Prince Ludwig I of Bavaria, in Rome. Apollo among the Muses (1824; Munich, Neue Pin.), painted for Maximilian I, shows Hess to be among the most gifted of the German artists working in Rome. The influence of Raphael, glowing but carefully harmonized colours, gliding figures and drapery animate this early masterpiece. Among other important works from this time are exquisitely detailed and colouristically sophisticated, intimate character portraits with early Renaissance settings, such as that of Marchesa Marianna Florenzi (1824; Munich, Neue Pin.), as well as fresh and lively Naturalist landscapes from the environs of Rome, for example Campagna Landscape near Ponte Nomentano (1821-6; Hamburg, Ksthalle).
The Entry of King Othon of Greece into Nauplia
1835 Oil on canvas, 269 x 415 cm
   
   
     
HESS, Heinrich Maria von Sankt Leonhardsfest in Fischhausen am Schliersee oil painting


Sankt Leonhardsfest in Fischhausen am Schliersee

Painting ID::  87377 		HESS, Heinrich Maria von
German painter b. 1798, Dsseldorf, d. 1863, Mnchen,German painter. After training (1813-17) under Peter von Langer (1756-1824) at the Akademie der bildenden Kenste in Munich, he painted religious subjects under the influence of Peter Cornelius. In 1821 he joined the Lukasbreder, and the circle around Crown Prince Ludwig I of Bavaria, in Rome. Apollo among the Muses (1824; Munich, Neue Pin.), painted for Maximilian I, shows Hess to be among the most gifted of the German artists working in Rome. The influence of Raphael, glowing but carefully harmonized colours, gliding figures and drapery animate this early masterpiece. Among other important works from this time are exquisitely detailed and colouristically sophisticated, intimate character portraits with early Renaissance settings, such as that of Marchesa Marianna Florenzi (1824; Munich, Neue Pin.), as well as fresh and lively Naturalist landscapes from the environs of Rome, for example Campagna Landscape near Ponte Nomentano (1821-6; Hamburg, Ksthalle).
Sankt Leonhardsfest in Fischhausen am Schliersee
1825(1825) Medium Oil on canvas cyf
   
   
     
HESS, Heinrich Maria von Liebe, Glaube, Hoffnung oil painting


Liebe, Glaube, Hoffnung

Painting ID::  89454 		HESS, Heinrich Maria von
German painter b. 1798, Dsseldorf, d. 1863, Mnchen,German painter. After training (1813-17) under Peter von Langer (1756-1824) at the Akademie der bildenden Kenste in Munich, he painted religious subjects under the influence of Peter Cornelius. In 1821 he joined the Lukasbreder, and the circle around Crown Prince Ludwig I of Bavaria, in Rome. Apollo among the Muses (1824; Munich, Neue Pin.), painted for Maximilian I, shows Hess to be among the most gifted of the German artists working in Rome. The influence of Raphael, glowing but carefully harmonized colours, gliding figures and drapery animate this early masterpiece. Among other important works from this time are exquisitely detailed and colouristically sophisticated, intimate character portraits with early Renaissance settings, such as that of Marchesa Marianna Florenzi (1824; Munich, Neue Pin.), as well as fresh and lively Naturalist landscapes from the environs of Rome, for example Campagna Landscape near Ponte Nomentano (1821-6; Hamburg, Ksthalle).
Liebe, Glaube, Hoffnung
1819(1819) Medium oil on wood Dimensions Deutsch: 57 x 67 cm cjr
   
   
     
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     HESS, Heinrich Maria von
     German painter b. 1798, Dsseldorf, d. 1863, Mnchen,German painter. After training (1813-17) under Peter von Langer (1756-1824) at the Akademie der bildenden Kenste in Munich, he painted religious subjects under the influence of Peter Cornelius. In 1821 he joined the Lukasbreder, and the circle around Crown Prince Ludwig I of Bavaria, in Rome. Apollo among the Muses (1824; Munich, Neue Pin.), painted for Maximilian I, shows Hess to be among the most gifted of the German artists working in Rome. The influence of Raphael, glowing but carefully harmonized colours, gliding figures and drapery animate this early masterpiece. Among other important works from this time are exquisitely detailed and colouristically sophisticated, intimate character portraits with early Renaissance settings, such as that of Marchesa Marianna Florenzi (1824; Munich, Neue Pin.), as well as fresh and lively Naturalist landscapes from the environs of Rome, for example Campagna Landscape near Ponte Nomentano (1821-6; Hamburg, Ksthalle).

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