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SAVERY, Roelandt
Flemish Northern Renaissance Painter, 1576-1639 Flemish Northern Renaissance Painter, 1576-1639.Painter, draughtsman and etcher, brother of (1) Jacob Savery I. The subject and miniaturist precision of his earliest dated work, Birds by a Pond (1600; St Petersburg, Hermitage), reflect the influence of Jacob, his presumed teacher. The strong Flemish current in Amsterdam c. 1600 is apparent in the Village Edge

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SAVERY, Roelandt Crab Fishermen at oil painting


Crab Fishermen at

Painting ID::  9071
SAVERY, Roelandt
Flemish Northern Renaissance Painter, 1576-1639 Flemish Northern Renaissance Painter, 1576-1639.Painter, draughtsman and etcher, brother of (1) Jacob Savery I. The subject and miniaturist precision of his earliest dated work, Birds by a Pond (1600; St Petersburg, Hermitage), reflect the influence of Jacob, his presumed teacher. The strong Flemish current in Amsterdam c. 1600 is apparent in the Village Edge
Crab Fishermen at
Oil on panel, 38,6 x 33,9 cm Museum voor Schone Kunsten, Ghent
   
   
     

SAVERY, Roelandt The Garden of Eden  af oil painting


The Garden of Eden af

Painting ID::  9072
SAVERY, Roelandt
Flemish Northern Renaissance Painter, 1576-1639 Flemish Northern Renaissance Painter, 1576-1639.Painter, draughtsman and etcher, brother of (1) Jacob Savery I. The subject and miniaturist precision of his earliest dated work, Birds by a Pond (1600; St Petersburg, Hermitage), reflect the influence of Jacob, his presumed teacher. The strong Flemish current in Amsterdam c. 1600 is apparent in the Village Edge
The Garden of Eden af
Oil on panel, 54 x 87 cm Koninklijk Museum voor Schone Kunsten, Antwerp
   
   
     

SAVERY, Roelandt Horses and Oxen Attacked by Wolves ar oil painting


Horses and Oxen Attacked by Wolves ar

Painting ID::  9073
SAVERY, Roelandt
Flemish Northern Renaissance Painter, 1576-1639 Flemish Northern Renaissance Painter, 1576-1639.Painter, draughtsman and etcher, brother of (1) Jacob Savery I. The subject and miniaturist precision of his earliest dated work, Birds by a Pond (1600; St Petersburg, Hermitage), reflect the influence of Jacob, his presumed teacher. The strong Flemish current in Amsterdam c. 1600 is apparent in the Village Edge
Horses and Oxen Attacked by Wolves ar
Oil on canvas, 111 x 160 cm Rockox House, Antwerp
   
   
     

SAVERY, Roelandt Landscape with Birds ar oil painting


Landscape with Birds ar

Painting ID::  9074
SAVERY, Roelandt
Flemish Northern Renaissance Painter, 1576-1639 Flemish Northern Renaissance Painter, 1576-1639.Painter, draughtsman and etcher, brother of (1) Jacob Savery I. The subject and miniaturist precision of his earliest dated work, Birds by a Pond (1600; St Petersburg, Hermitage), reflect the influence of Jacob, his presumed teacher. The strong Flemish current in Amsterdam c. 1600 is apparent in the Village Edge
Landscape with Birds ar
1628 Oil on panel, 42 x 57 cm Kunsthistorisches Museum, Vienna
   
   
     

SAVERY, Roelandt Landscape with Wild Animals a oil painting


Landscape with Wild Animals a

Painting ID::  9075
SAVERY, Roelandt
Flemish Northern Renaissance Painter, 1576-1639 Flemish Northern Renaissance Painter, 1576-1639.Painter, draughtsman and etcher, brother of (1) Jacob Savery I. The subject and miniaturist precision of his earliest dated work, Birds by a Pond (1600; St Petersburg, Hermitage), reflect the influence of Jacob, his presumed teacher. The strong Flemish current in Amsterdam c. 1600 is apparent in the Village Edge
Landscape with Wild Animals a
Oil on canvas, 82,5 x 145 cm Rockox House, Antwerp
   
   
     

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     SAVERY, Roelandt
     Flemish Northern Renaissance Painter, 1576-1639 Flemish Northern Renaissance Painter, 1576-1639.Painter, draughtsman and etcher, brother of (1) Jacob Savery I. The subject and miniaturist precision of his earliest dated work, Birds by a Pond (1600; St Petersburg, Hermitage), reflect the influence of Jacob, his presumed teacher. The strong Flemish current in Amsterdam c. 1600 is apparent in the Village Edge

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