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STUBBS, George
English Romantic Painter, 1724-1806 English painter, draughtsman and printmaker. His study of anatomy enabled him to paint horses, dogs and wild animals with unsurpassed truth to nature, while his innate sense of design enabled him to achieve graceful, rhythmic compositions. His contemporary reputation was chiefly based on portraits of horses and dogs; but he also painted human portraits, conversation pieces and imaginative subjects with animals.
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STUBBS, George William Anderson with Two Saddle-horses er oil painting


William Anderson with Two Saddle-horses er

Painting ID::  9180 		STUBBS, George
English Romantic Painter, 1724-1806 English painter, draughtsman and printmaker. His study of anatomy enabled him to paint horses, dogs and wild animals with unsurpassed truth to nature, while his innate sense of design enabled him to achieve graceful, rhythmic compositions. His contemporary reputation was chiefly based on portraits of horses and dogs; but he also painted human portraits, conversation pieces and imaginative subjects with animals.
William Anderson with Two Saddle-horses er
1793 Oil on canvas, 102,2 x 127,9 cm Royal Collection, Windsor
   
   
     
STUBBS, George The Milbanke and Melbourne Families rwy oil painting


The Milbanke and Melbourne Families rwy

Painting ID::  9181 		STUBBS, George
English Romantic Painter, 1724-1806 English painter, draughtsman and printmaker. His study of anatomy enabled him to paint horses, dogs and wild animals with unsurpassed truth to nature, while his innate sense of design enabled him to achieve graceful, rhythmic compositions. His contemporary reputation was chiefly based on portraits of horses and dogs; but he also painted human portraits, conversation pieces and imaginative subjects with animals.
The Milbanke and Melbourne Families rwy
c. 1769 Oil on canvas, 97 x 149 cm National Gallery, London
   
   
     
STUBBS, George Haymaking t oil painting


Haymaking t

Painting ID::  9182 		STUBBS, George
English Romantic Painter, 1724-1806 English painter, draughtsman and printmaker. His study of anatomy enabled him to paint horses, dogs and wild animals with unsurpassed truth to nature, while his innate sense of design enabled him to achieve graceful, rhythmic compositions. His contemporary reputation was chiefly based on portraits of horses and dogs; but he also painted human portraits, conversation pieces and imaginative subjects with animals.
Haymaking t
1785 Oil on wood, 89,5 x 132,5 cm Tate Gallery, London
   
   
     
STUBBS, George Whistlejacket r oil painting


Whistlejacket r

Painting ID::  9183 		STUBBS, George
English Romantic Painter, 1724-1806 English painter, draughtsman and printmaker. His study of anatomy enabled him to paint horses, dogs and wild animals with unsurpassed truth to nature, while his innate sense of design enabled him to achieve graceful, rhythmic compositions. His contemporary reputation was chiefly based on portraits of horses and dogs; but he also painted human portraits, conversation pieces and imaginative subjects with animals.
Whistlejacket r
1761-62 Oil on canvas, 325 x 259 cm Private collection
   
   
     
STUBBS, George Molly Longlegs with Jockey (mk08) oil painting


Molly Longlegs with Jockey (mk08)

Painting ID::  21940 		STUBBS, George
English Romantic Painter, 1724-1806 English painter, draughtsman and printmaker. His study of anatomy enabled him to paint horses, dogs and wild animals with unsurpassed truth to nature, while his innate sense of design enabled him to achieve graceful, rhythmic compositions. His contemporary reputation was chiefly based on portraits of horses and dogs; but he also painted human portraits, conversation pieces and imaginative subjects with animals.
Molly Longlegs with Jockey (mk08)
c.1761/62 Oil on canvas, 102x127cm Liverpool,Walker Art Gallery
   
   
     
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     STUBBS, George
     English Romantic Painter, 1724-1806 English painter, draughtsman and printmaker. His study of anatomy enabled him to paint horses, dogs and wild animals with unsurpassed truth to nature, while his innate sense of design enabled him to achieve graceful, rhythmic compositions. His contemporary reputation was chiefly based on portraits of horses and dogs; but he also painted human portraits, conversation pieces and imaginative subjects with animals.

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