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William Powell Frith
1819-1909 English painter. His parents were in domestic employment before taking a hotel in Harrogate in 1826. They encouraged him to become an artist, despite his own desire to be an auctioneer. While at school in Dover, Frith sketched caricatures and copies of Dutch genre scenes (Dover Mus.) that betray his disposition to narratives. His taste did not accord with the academic training he received at Henry Sass Academy in London (1835-7) and at the Royal Academy Schools (1837). Frith began his career as a portrait painter, using members of his family as models. He first exhibited at the British Institution in 1838, and during the 1840s he established himself with his entertaining historical and literary subjects in the popular tradition of C. R. Leslie, William Mulready and Sir David Wilkie. He was a member of THE CLIQUE, which included Richard Dadd, Augustus Egg, Henry O Neil and John Phillip. His friendship with Charles Dickens began with commissions for paintings of Dolly Varden (London, V&A) and Kate Nickleby (untraced) in 1842.

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William Powell  Frith Life at the Seaside (Ramsgate Sands) oil painting


Life at the Seaside (Ramsgate Sands)

Painting ID::  28269
William Powell Frith
1819-1909 English painter. His parents were in domestic employment before taking a hotel in Harrogate in 1826. They encouraged him to become an artist, despite his own desire to be an auctioneer. While at school in Dover, Frith sketched caricatures and copies of Dutch genre scenes (Dover Mus.) that betray his disposition to narratives. His taste did not accord with the academic training he received at Henry Sass Academy in London (1835-7) and at the Royal Academy Schools (1837). Frith began his career as a portrait painter, using members of his family as models. He first exhibited at the British Institution in 1838, and during the 1840s he established himself with his entertaining historical and literary subjects in the popular tradition of C. R. Leslie, William Mulready and Sir David Wilkie. He was a member of THE CLIQUE, which included Richard Dadd, Augustus Egg, Henry O Neil and John Phillip. His friendship with Charles Dickens began with commissions for paintings of Dolly Varden (London, V&A) and Kate Nickleby (untraced) in 1842.
Life at the Seaside (Ramsgate Sands)
1854 oil on canvas 76.2 x 153.7 cm (30 x 60 1/2 in) Royal Collection (mk63)
   
   
     

William Powell  Frith Derby Day oil painting


Derby Day

Painting ID::  28279
William Powell Frith
1819-1909 English painter. His parents were in domestic employment before taking a hotel in Harrogate in 1826. They encouraged him to become an artist, despite his own desire to be an auctioneer. While at school in Dover, Frith sketched caricatures and copies of Dutch genre scenes (Dover Mus.) that betray his disposition to narratives. His taste did not accord with the academic training he received at Henry Sass Academy in London (1835-7) and at the Royal Academy Schools (1837). Frith began his career as a portrait painter, using members of his family as models. He first exhibited at the British Institution in 1838, and during the 1840s he established himself with his entertaining historical and literary subjects in the popular tradition of C. R. Leslie, William Mulready and Sir David Wilkie. He was a member of THE CLIQUE, which included Richard Dadd, Augustus Egg, Henry O Neil and John Phillip. His friendship with Charles Dickens began with commissions for paintings of Dolly Varden (London, V&A) and Kate Nickleby (untraced) in 1842.
Derby Day
1856-8 Oil on canvas 101.6 x 223.6 cm (40 x 88in) Tate Gallery London (mk63)
   
   
     

William Powell  Frith The Railway Station oil painting


The Railway Station

Painting ID::  28280
William Powell Frith
1819-1909 English painter. His parents were in domestic employment before taking a hotel in Harrogate in 1826. They encouraged him to become an artist, despite his own desire to be an auctioneer. While at school in Dover, Frith sketched caricatures and copies of Dutch genre scenes (Dover Mus.) that betray his disposition to narratives. His taste did not accord with the academic training he received at Henry Sass Academy in London (1835-7) and at the Royal Academy Schools (1837). Frith began his career as a portrait painter, using members of his family as models. He first exhibited at the British Institution in 1838, and during the 1840s he established himself with his entertaining historical and literary subjects in the popular tradition of C. R. Leslie, William Mulready and Sir David Wilkie. He was a member of THE CLIQUE, which included Richard Dadd, Augustus Egg, Henry O Neil and John Phillip. His friendship with Charles Dickens began with commissions for paintings of Dolly Varden (London, V&A) and Kate Nickleby (untraced) in 1842.
The Railway Station
1862 Oil on canvs 116.7 x 256.2 (46 x 101in) Royal Holloway College,University of London Egham,Surrey (mk63)
   
   
     

William Powell  Frith The Salon d'Or Homburg oil painting


The Salon d'Or Homburg

Painting ID::  28292
William Powell Frith
1819-1909 English painter. His parents were in domestic employment before taking a hotel in Harrogate in 1826. They encouraged him to become an artist, despite his own desire to be an auctioneer. While at school in Dover, Frith sketched caricatures and copies of Dutch genre scenes (Dover Mus.) that betray his disposition to narratives. His taste did not accord with the academic training he received at Henry Sass Academy in London (1835-7) and at the Royal Academy Schools (1837). Frith began his career as a portrait painter, using members of his family as models. He first exhibited at the British Institution in 1838, and during the 1840s he established himself with his entertaining historical and literary subjects in the popular tradition of C. R. Leslie, William Mulready and Sir David Wilkie. He was a member of THE CLIQUE, which included Richard Dadd, Augustus Egg, Henry O Neil and John Phillip. His friendship with Charles Dickens began with commissions for paintings of Dolly Varden (London, V&A) and Kate Nickleby (untraced) in 1842.
The Salon d'Or Homburg
1871 Oil on canvas 125 x 260 cm (49 1/4 x 102 1/2 in) Museum of Art Rhode Island School of Design (mk63)
   
   
     

William Powell  Frith Retribution oil painting


Retribution

Painting ID::  28293
William Powell Frith
1819-1909 English painter. His parents were in domestic employment before taking a hotel in Harrogate in 1826. They encouraged him to become an artist, despite his own desire to be an auctioneer. While at school in Dover, Frith sketched caricatures and copies of Dutch genre scenes (Dover Mus.) that betray his disposition to narratives. His taste did not accord with the academic training he received at Henry Sass Academy in London (1835-7) and at the Royal Academy Schools (1837). Frith began his career as a portrait painter, using members of his family as models. He first exhibited at the British Institution in 1838, and during the 1840s he established himself with his entertaining historical and literary subjects in the popular tradition of C. R. Leslie, William Mulready and Sir David Wilkie. He was a member of THE CLIQUE, which included Richard Dadd, Augustus Egg, Henry O Neil and John Phillip. His friendship with Charles Dickens began with commissions for paintings of Dolly Varden (London, V&A) and Kate Nickleby (untraced) in 1842.
Retribution
1878 Oil on canvas 30.8 x 39.4 cm (12 1/8 x 15 1/2 in) Birmingham City Museum and Art Gallery (mk63)
   
   
     

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     William Powell Frith
     1819-1909 English painter. His parents were in domestic employment before taking a hotel in Harrogate in 1826. They encouraged him to become an artist, despite his own desire to be an auctioneer. While at school in Dover, Frith sketched caricatures and copies of Dutch genre scenes (Dover Mus.) that betray his disposition to narratives. His taste did not accord with the academic training he received at Henry Sass Academy in London (1835-7) and at the Royal Academy Schools (1837). Frith began his career as a portrait painter, using members of his family as models. He first exhibited at the British Institution in 1838, and during the 1840s he established himself with his entertaining historical and literary subjects in the popular tradition of C. R. Leslie, William Mulready and Sir David Wilkie. He was a member of THE CLIQUE, which included Richard Dadd, Augustus Egg, Henry O Neil and John Phillip. His friendship with Charles Dickens began with commissions for paintings of Dolly Varden (London, V&A) and Kate Nickleby (untraced) in 1842.

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