|
|
King Cophetua and the Beggar Maid
1884
Oil on canvas 293 x 150 cm
(115 1/2 x 57 1/2 in)
Tate Gallery London (mk63)
Painting ID:: 28455
|
|
|
|
|
|
|
|
|
King Cophetua and the Beggar Maid
mk87
1884
Oil on canvas
290x136cm
London,Tate Gallery
Painting ID:: 34010
|
|
|
|
|
|
|
|
|
King Cophetua and the Beggar Maid
mk147
1898
National Gallery of Scotland
Painting ID:: 39315
|
|
|
|
|
|
|
Arthur Melville
British Painter, 1858-1904, Scottish painter. He was trained in Edinburgh under James Campbell Noble (1846-1913) and at the Royal Scottish Academy Schools. His early works are peasant subjects in a subdued tonal style. While at the Acad?mie Julian in Paris and at Grez-sur-Loing (1878-81) he developed a colouristic watercolour style with strong chiaroscuro. This was consolidated during his journey in 1881 to Egypt and Constantinople, and on trips between 1890 and 1893 to Spain (with Frank Brangwyn) and North Africa. Contrasts of strong sunlight and coloured shadows were created in his 'blottesque' technique of colour droplets on paper saturated with Chinese white: sponge and brushwork were used to clarify form, as in Little Bullfight: 'Bravo Toro' (c. 1888-9; London, V&A). He was associated with the Glasgow Boys and influenced their development of colour and design. His closest contact with them came during outdoor sketching trips in Scotland between 1882 and 1889, and in Paris in 1886 and 1889. In 1886 he became an Associate of the Royal Scottish Academy and developed a strongly decorative oil style, seen in Audrey and her Goats (1884-9; London, Tate).
King Cophetua and the Beggar Maid
mk147
1898
National Gallery of Scotland
|
|
|
|
|
|
|
|
|
| |
|
