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Noli me Tangere
1525
Museo del Prado, Madrid
Painting ID:: 504
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Noli Me Tangere
1511-12
National Gallery, London
Painting ID:: 1680
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Noli Me Tangere
1440-41
Museo di San Marco, Florence
Painting ID:: 3249
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Noli me tangere
mk56
oil on canvas
oval
Painting ID:: 27520
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Noli me tangere
mk65
c.1522-1525
Oil on canvas
130x103cm
Painting ID:: 28811
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Noli Me Tangere
Italian Mannerist/Baroque Era Painter, ca.1535-1612
mk65
Oil on canvas
48x35 13/16in
Uffizi,Gallery
Painting ID:: 29015
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Noli Me Tangere
mk67
Panel
69 5/16x61in
Painting ID:: 29830
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Noli Me Tangere
mk67
Oil on canvas
31 1/2x25 13/16in
Uffizi,Gallery
Painting ID:: 29885
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Noli me tangere
mk70
Toile
H.1.34
L.1.93
Lille,Musee des Beaux-Arts
Painting ID:: 31015
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Noli me tangere
mk150
1667
63.7x51cm
Painting ID:: 39685
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Noli Me Tangere
mk156
1440-1441
Fresco
180x146cm
Painting ID:: 40188
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Noli me Tangere
mk170
1512-1513
Oil on canvas
109x90.8cm
Painting ID:: 43038
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Noli me tangere
Noli me tangere, possibly 1524?C26. Oil and tempera on oak, Royal Collection.
Painting ID:: 59407
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Noli me tangere
Year c. 1524
Technique Oil on oak panel
Painting ID:: 67620
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Noli me tangere
Medium Oil on wood
Dimensions 176 X 155 cm
Painting ID:: 70329
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Noli me tangere
Date c. 1524
Medium Oil on oak panel
Current location Royal Collection, Hampton Court
cyf
Painting ID:: 72231
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Noli me tangere
Noli me tangere
1514
cjr
Painting ID:: 72509
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Noli me tangere
Description Noli me tangere
Date 1514
cyf
Painting ID:: 74169
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Noli me tangere
Deutsch: nach 1531
English: after 1531
Medium Oil on wood
Dimensions Deutsch: 175 ?? 134 cm
cyf
Painting ID:: 76107
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Noli Me Tangere
Date ca. 1506(1506)
Medium Oil on wood
Dimensions Height: 57 cm (22.4 in). Width: 48 cm (18.9 in).
cjr
Painting ID:: 84102
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Noli me Tangere
Date 1524(1524)
Medium Oil on wood
Dimensions Height: 76.8 cm (30.2 in). Width: 94.9 cm (37.4 in).
cjr
Painting ID:: 87636
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Noli me tangere
painted Paradise in ca. 1620
oil on canvas, 157.5 x 213 cm.c. 1625-1630
cjr
Painting ID:: 88524
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Noli me Tangere
1524(1524)
Medium oil on oak panel
cyf
Painting ID:: 91499
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Hans holbein the younger
b. 1497, Augsburg, d. 1543, London
was a German artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century.[2] He also produced religious art, satire and Reformation propaganda, and made a significant contribution to the history of book design. He is called "the Younger" to distinguish him from his father, Hans Holbein the Elder, an accomplished painter of the Late Gothic school. Born in Augsburg, Holbein worked mainly in Basel as a young artist. At first he painted murals and religious works and designed for stained glass windows and printed books. He also painted the occasional portrait, making his international mark with portraits of the humanist Desiderius Erasmus of Rotterdam. When the Reformation reached Basel, Holbein worked for reformist clients while continuing to serve traditional religious patrons. His Late Gothic style was enriched by artistic trends in Italy, France, and the Netherlands, as well as by Renaissance Humanism. The result was a combined aesthetic uniquely his own. Holbein travelled to England in 1526 in search of work, with a recommendation from Erasmus. He was welcomed into the humanist circle of Thomas More, where he quickly built a high reputation. After returning to Basel for four years, he resumed his career in England in 1532. This time he worked for the twin founts of patronage, Anne Boleyn and Thomas Cromwell. By 1535, he was King's Painter to King Henry VIII. In this role, he produced not only portraits and festive decorations but designs for jewellery, plate, and other precious objects. His portraits of the royal family and nobles are a vivid record of a brilliant court in the momentous years when Henry was asserting his supremacy over the English church. Holbein's art was prized from early in his career. The French poet and reformer Nicholas Bourbon dubbed him "the Apelles of our time".[3] Holbein has also been described as a great "one-off" of art history, since he founded no school.[4] After his death, some of his work was lost, but much was collected, and by the 19th century, Holbein was recognised among the great portrait masters. Recent exhibitions have also highlighted his versatility.
Noli me Tangere
1524(1524)
Medium oil on oak panel
cyf
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