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Concert
mk68
Oil on canvas
43 1/4x54 1/4"
Paris,Louvre
1508-1511
Italy
Painting ID:: 30459
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Concert
mk159
1630s
Oil on canvas
110x147cm
Painting ID:: 41000
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Concert
mk159
c.1623
Oil on canvas
99x130cm
Painting ID:: 41034
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Concert
mk205
about 1874
Oil on canvas
96.5x66cm
Painting ID:: 49882
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Concert
mk238
1835
Oil on canvas
121x90.6cm
Painting ID:: 54890
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concert
mk270 the cover of the international quadrilee by charles d albert, showing the opening of the crstal palace in london in 1862. it became a favourite concert venue.
Painting ID:: 60369
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Concert
1690s Oil on canvas Musee du Louvre, Paris Artist: TOURNI?RES, Robert Painting Title: Concert , 1701-1750 Painting Style: French , , genre
Painting ID:: 63051
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Concert
1630s
Oil on canvas, 110 x 147 cm
cjr
Painting ID:: 85290
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Concert
between 1485(1485) and 1495(1495)
Medium oil on wood
cyf
Painting ID:: 89107
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Concert
c. 1630/31
Medium oil on canvas
Dimensions 118.7 X 170.4 cm (46.7 X 67.1 in)
cjr
Painting ID:: 91968
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Bernardo Strozzi
1581-1644
Italian
Bernardo Strozzi Galleries
Strozzi was born in Genoa. He was probably not related to the other Strozzi family.
In 1598, at the age of 17, he joined a Capuchin monastery, a reform branch of the Franciscan order. When his father died c1608, he left the order to care for his mother, earning their living with his paintings, which were often influenced by Franciscan teachings, for example his Adoration of the Shepherds (c. 1615) . In 1625, he was charged with illegally practicing as a painter. When his mother died c1630, Bernardo was pressured in court by the Capuchin's to re-enter the order. He was briefly imprisoned in Genoa , and upon release fled to Venice to avoid confinement in a monastery in 1631. He became nicknamed all his life as il prete Genovese (the Genoa priest).
Saint Christopher, by Strozzi.Early paintings, such as The Ecstasy of St Francis show the dark emotionalism of Caravaggio. But by the second decade of the 17th century, while working in Venice, Strozzi had synthesized a personal style which fused painterly influences of the North (including Rubens and Veronese) with a monumental realistic starkness. For example, in the painting The Incredulity of Thomas, the background is muted, yet Jesus' face, haloed and his outline, misty, in a style atypical of Caravaggio. Never as dark as the Caravaggisti, Venice infused his painting with a gentler edge, a style more acceptable to the local patronage, and one derived from his precursors in Venice, Jan Lys (died 1629) and Domenico Fetti (died 1626), who had also fused the influence of Caravaggio into Venetian art. Examples of this style can be found in his Parable of the Wedding Guests (1630),Christ giving keys of Heaven to Saint Peter (1630),, Saint Lawrence distributing Alms at San Nicol?? da Tolentino[7] and a Personification of Fame (1635-6). He was also likely influenced by Velazquez (who visited Genoa in 1629-30).
After a commission to paint Claudio Monteverdi his fame grew, and his portrait paintings included many of the leading Venetians. His pupils and painter strongly influenced by him included Giovanni Andrea de Ferrari (1598-1669), Giovanni Bernardo Carbone, Valerio Castello and, Giovanni Benedetto Castiglione.
Concert
c. 1630/31
Medium oil on canvas
Dimensions 118.7 X 170.4 cm (46.7 X 67.1 in)
cjr
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