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Virgin and Child
Metropolitan Museum of Art, New York
Painting ID:: 197
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Virgin and Child
1440-45
Musee du Louvre, Paris
Painting ID:: 2565
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Virgin and Child
1672
Metropolitan Museum of Art, New York
Painting ID:: 2766
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Virgin and Child
oil and tempera on panel, Museum of Fine Arts, Boston
Painting ID:: 9806
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Virgin and Child
Oil on wood,
21,6 x 16,5 cm
Metropolitan
Museum of Art,NY
Painting ID:: 10034
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Virgin and Child
Oil on canvas
Musee des
Beaux-Arts, Lyon
Painting ID:: 10138
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Virgin and Child
Flemish Baroque Era Painter, 1577-1640
Oil on panel, 62 x 50 cm
Painting ID:: 29667
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Virgin and Child
Panel, 58 x 43 cm
Painting ID:: 32255
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Virgin and Child
mk216
Duccio has been called the last artist of the old world
Painting ID:: 50887
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Virgin and Child
c. 1440
Oil on panel,
100 x 52 cm
Painting ID:: 51165
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Virgin and Child
mk247
1426,egg tempera on wood 53.125x29 in,135x73.5cm,national gallery.london,uk
Painting ID:: 55927
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Virgin and Child
26,8 x 20,5 cm Museum Boijmans Van Beuningen, Rotterdam This small painting of the Madonna depicts a fragile female figure holding her newborn together with a vanquished dragon. The artist indicates her floating, vision-like quality with the use of fantastic lighting and an army of angels in concentric circles. By arranging the choir of angels in a manner reminiscent of spheres, it is also expressed that the infant Jesus in the centre of the picture is the ruler of the Universe. With a sweeping gesture and a look of concentration, the infant is shaking two bells, as if to be in concert with the angel doing the same thing on the left side of the picture. They are definitely looking at each other, and since they are the only two doing this, the action has special significance: it shows the "conductor" Jesus in the role of the universe's prime mover. Thus the painting clearly expresses a concept formulated by St Thomas Aquinas, according to which Jesus created the harmony of the spheres. In Geertgen's painting the three attributes of Mary (glory, sadness and joy) are represented by angels encircling the Madonna in three rings. The inner circle contains six-winged cherubs and seraphs. The angels of the second circle hold above the head of Mary the early Christian symbols of glorification, scrolls with the word "Sanctus" appearing on them three times. The rest bear the objects associated with the Passion: the cross, the crown of thorns, a spear, nails, a hammer, and a column. The outside circle presents a multitude of musical angels, symbolizing heavenly happiness. Here we can see nearly all of the instruments of the period: lutes, violas, double recorders, trumpets, drums, bells, horns, bagpipes, hurdy-gurdies, etc. The larger keyboard instruments are located in the corners; on the organ we can see the hand-operated bellows. Obviously, the painter did not intend to reproduce the image of a real orchestra, that is why he included instruments which were never used together
Painting ID:: 62445
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Virgin and Child
German painter
active 1470-1510 in Cologne
1510s Panel, 30 x 20,3 cm Wallraf-Richartz Museum, Cologne This painting shows the characteristics of the school of Cologne: oval face, long nose, high forehead and an overall delicate grace.Artist:MASTER of the St. Bartholomew Altar Title: Virgin and Child Painted in 1451-1500 , German - - painting : religious
Painting ID:: 63704
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Virgin and Child
The Hague , Artist: MASSYS, Quentin , Virgin and Child , 1451-1500 , Flemish , painting , religious
Painting ID:: 63979
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Virgin and Child
130 x 86 cm Musees Royaux des Beaux-Arts, Brussels The Virgin is seated in three-quarter profile on an imposing stone throne with Gothic ornamentation. Richly dressed in a dark red, fur-lined gown and a mantle bordered with pearl braiding, her head inclined in recollection, she holds the infant Jesus on her right arm. She appears to be meditating a passage in the book that Christ is thumbing. Their faces are surrounded by halos of golden rays. The Child, in a long white shirt, has seized the bookmark. Through an open window to the right of the throne we glimpse a building on the other side of a courtyard. The upper part of the window is decorated with a stained glass panel depicting St Catherine flanked by two escutcheons. A similar stained glass window to the left carries the figure of St Barbara. This painting, attributed to Quentin Massys, is part of the Madonna with Child group that the artist painted during his youth. The symmetrical composition, the hieratic presentation of the figures, the style of the Virgin's garments and the vigorous modelling of the draperies as well as the Gothic ornamentations all recall the tradition of the Flemish Primitives. The iconographic theme picks up the traditional image of Christ's incarnation. The Virgin in majesty is directly associated with the divine nature of her Son, the Word incarnate. Her meditative attitude and the red of her garments evoke the presentiment she had of her Child's destiny right from his birth. Massys' work refers back to earlier compositions that present Christ reading in the Virgin's arms. Two famous examples are Rogier van der Weyden's Madonna Duren (Madrid, Prado) and the Ince Hall Virgin attributed to a follower of Jan van Eyck (Melbourne, National Gallery of Victoria). With Massys we have the same monumental pose of the Virgin, with the niche-shaped throne similar to the one in Van der Weyden's painting. Even if the Brussels Madonna with Child shows how much the painter was part of the Flemish tradition, before coming under the influence of the Renaissance, it already contains the novel elements that were to make Massys the captivating and highly innovative artist whose talent would be fully revealed in his later works. With his exceptionally ample volumes, his supple shapes caressed by a strong, yet soft light, and the virtuoso translucency of his colouring technique, he carries the art of modelling forward to new heights. , Artist: MASSYS, Quentin , Virgin and Child , 1451-1500 , Flemish , painting , religious
Painting ID:: 63980
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Virgin and Child
1475-1500 Oil on oak panel, 38 x 29,7 cm Private collection The Virgin is carrying the naked Infant Christ, who is sitting on a cloth, in both hands. She is in front of a wall-hanging in red-gold brocade and is clothed in a dark blue garment with a grey fur lining and a mantle of the same colour (in fact it has darkened into blue-green). With his left hand the Child reaches for the hanger of a necklace made of red coral (possibly an allusion to the blood of his sacrifice), and in his other hand he holds a pear (as the fruit of the `new Adam', an allusion to Salvation). The Virgin is situated in front of a golden balustrade with an arcade of rounded arches which encloses the choir of a church with stained-glass windows. She appears behind a golden arch resting on brown marble pillars. The image should probably be interpreted as a Virgin who is standing behind a low wall supporting an arch. The top of this little wall was originally probably visible and seems to have been sawn off. This Virgin-and-Child type is frequently encountered in works by Memling and his followers, sometimes with the Child sitting on the wall. Related examples by Memling are: the Van Nieuwenhove Virgin (Memlingmuseum, Bruges); the Virgin and Child in Lisbon (Museu Nacional de Arte Antiga). A similar type by a Memling follower is in the Metropolitan Museum of Art, New York. The little work discussed here is also Memlingian from a stylistic point of view. The type of the Virgin with the bulging forehead, the long straight nose and the narrow bow-shaped eyebrows is particularly closely related to Memling. The faces, however, are flatter and squarer, especially in the case of the Child. Apart from the Virgin type the staffage and architectural surroundings have the same roots: red brocade hangings with vegetally decorated edges, brown marble columns on each side, perspective of a church interior with stained-glass windows consisting of small coloured squares. , Artist: UNKNOWN MASTER, Flemish , Virgin and Child , 1451-1500 , Flemish , painting , religious
Painting ID:: 64141
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Virgin and Child
Flemish Baroque Era Painter, 1577-1640
1620-24 Oil on wood, 65 x 48 cm Mus?es Royaux des Beaux-Arts, Brussels Artist:RUBENS, Pieter Pauwel Title: Virgin and Child, 1601-1650, Flemish , painting , religious
Painting ID:: 64698
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Virgin and Child
Flemish Baroque Era Painter, 1577-1640
62 x 50 cm St.-Niklaaskerk, Brussels Artist:RUBENS, Pieter Pauwel Title: Virgin and Child, 1601-1650, Flemish , painting , religious
Painting ID:: 64700
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virgin and child
enthroned with ss. john the baptist and nicholas of bari
national gallry, london oil on wood,209x148
se
Painting ID:: 64784
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Virgin and Child
ca. 1512(1512)
panel
35 cm (13.8 in). Height: 51 cm (20.1 in).
cjr
Painting ID:: 76013
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Virgin and Child
oil on canvas painting by Bartolom?? Esteban Murillo, early 1650s
cyf
Painting ID:: 77535
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Virgin and Child
ca. 1512(1512)
Medium panel
cyf
Painting ID:: 77946
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Virgin and Child
Date from 1560(1560) until 1570(1570)
Medium Oil on canvas
Dimensions 85 x 64 cm (33.5 x 25.2 in)
cjr
Painting ID:: 81321
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Virgin and Child
Date second half of 15th century
Medium Oil on wood
Dimensions Height: 21.6 cm (8.5 in). Width: 16.5 cm (6.5 in).
cjr
Painting ID:: 82206
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Virgin and Child
Date between 1620(1620) and 1624(1624)
Medium Oil on wood
Dimensions Height: 65 cm (25.6 in). Width: 48 cm (18.9 in).
cjr
Painting ID:: 82595
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Virgin and Child
Date ca. 1475(1475)
Medium Oil on wood
Dimensions Height: 65 cm (25.6 in). Width: 52 cm (20.5 in).
cjr
Painting ID:: 83093
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Virgin and Child
Date first half of 16th century
Medium Oil on oak panel
Dimensions Height: 33.7 cm (13.3 in). Width: 23.9 cm (9.4 in).
cjr
Painting ID:: 83188
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Virgin and Child
Date 1480s
Medium Egg tempera and oil on panel
Dimensions Height: 68 cm (26.8 in). Width: 49 cm (19.3 in).
cjr
Painting ID:: 83190
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Virgin and Child
1478-1534
Flemish
Jan Gossaert Mabuse Galleries
Date ca. 1530(1530)
Medium Oil on oak
Dimensions Height: 48 cm (18.9 in). Width: 38 cm (15 in).
cjr
Painting ID:: 83556
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Virgin and Child
Date between 1500(1500) and 1505(1505)
Medium Oil and tempera on panel
Dimensions Height: 81 cm (31.9 in). Width: 62 cm (24.4 in).
cjr
Painting ID:: 83562
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Virgin and Child
Date 1529(1529)
Medium Oil on wood
Dimensions Height: 68 cm (26.8 in). Width: 51 cm (20.1 in).
cjr
Painting ID:: 83564
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Virgin and Child
1525(1525) and 1527(1527)
Medium Oil on panel
cjr
Painting ID:: 83800
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Virgin and Child
Date first half of 16th century
Medium Oil on oak panel
Dimensions Height: 150 cm (59.1 in). Width: 116.5 cm (45.9 in).
cjr
Painting ID:: 83814
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Virgin and Child
Date ca. 1478(1478)
Medium Oil on oak panel
Dimensions Height: 33.4 cm (13.1 in). Width: 23.8 cm (9.4 in).
cjr
Painting ID:: 84295
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Virgin and Child
Flemish Northern Renaissance Painter , c.1488-1551
Date ca. 1515(1515)
Medium Oil on wood
Dimensions Height: 59 cm (23.2 in). Width: 38.5 cm (15.2 in).
cjr
Painting ID:: 84701
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Virgin and Child
Dimensions 90 x 74 cm (35.4 x 29.1 in)
Medium English: Oil on canvas
Date English: 15th century
cjr
Painting ID:: 84865
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Virgin and Child
from 1560(1560) until 1570(1570)
Medium Oil on canvas
Dimensions 85 x 64 cm (33.5 x 25.2 in)
cyf
Painting ID:: 85354
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Virgin and Child
between 1493(1493) and 1499(1499)
Medium Oil on wood
cyf
Painting ID:: 86947
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Virgin and Child
between 1525(1525) and 1530(1530)
Medium Oil on canvas transferred from panel
cyf
Painting ID:: 86973
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Virgin and Child
1475(1475)
Medium Oil on wood
cyf
Painting ID:: 87243
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Virgin and Child
first half of 16th century
Medium Oil on oak panel
cyf
Painting ID:: 87297
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Virgin and Child
1480s
Medium Egg tempera and oil on panel
cyf
Painting ID:: 87298
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Virgin and Child
between 1500(1500) and 1505(1505)
Medium Oil and tempera on panel
cyf
Painting ID:: 87403
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Virgin and Child
1529(1529)
Medium Oil on wood
cyf
Painting ID:: 87405
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Virgin and Child
1478-1534
Flemish
Jan Gossaert Mabuse Galleries
1530(1530)
Medium Oil on oak
cyf
Painting ID:: 87494
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Virgin and Child
between 1525(1525) and 1527(1527)
Medium Oil on panel
cyf
Painting ID:: 87694
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Virgin and Child
1478(1478)
Medium Oil on oak panel
cyf
Painting ID:: 88107
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Virgin and Child
15th century
Français : XVe
Medium English: Oil on canvas
cyf
Painting ID:: 88727
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Virgin and Child
second half of 15th century
Medium oil on wood
cyf
Painting ID:: 89112
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Virgin and Child
Oil on panel Muzeul National de Arta, Bucharest
Date 1510s
cjr
Painting ID:: 92047
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Boccaccio Boccaccino
(c. 1467 - c. 1525) was a painter of the early Italian Renaissance, belonging to the Emilian school. He is profiled in Vasari's Le Vite delle pie eccellenti pittori, scultori, ed architettori (or, in English, Lives of the Most Excellent Painters, Sculptors, and Architects).
He was born in Ferrara and studied there, probably under Domenico Panetti. Few facts of his life are known. His principal artistic activity was in Venice, Ferrara, and especially in Cremona, where he founded a school in which Garofalo was a pupil.
His most celebrated achievement is the frescoes in the Cathedral of Cremona (1506-1519) representing the Birth of the Virgin and some subjects from her life. His position there was taken over by Altobello Melone. His remaining works, which include the Marriage of Saint Catherine (Accademia), the Virgin and Child with Four Saints (Venice, San Giuliano), the Virgin and Two Saints (Cremona, San Quirilo), and the Holy Family (Paris, Louvre), are considered by Lanzi remarkable for richness of drapery, variety of color, spirit and grace of attitude, and harmony of landscape. Several works formerly attributed to Pietro Perugino, Pinturicchio, and Garofalo are now ascribed to Boccaccino.
His son and pupil Camillo Boccaccino (1501-46) was a painter at Cremona.
Virgin and Child
Oil on panel Muzeul National de Arta, Bucharest
Date 1510s
cjr
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