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Village
mk112
1918
Oil on canvas
Painting ID:: 36570
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Village
mk144
study to the picture sheaf and village at the Flub oil on wood
6.8x25.5cm
Painting ID:: 39183
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Village
mk236
1865
Oil on canvas
46x55cm
Painting ID:: 54601
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Village
mk236
1873
47x72cm
Painting ID:: 54615
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Village
mk238
1799
watercolour
19.5x27.2cm
Painting ID:: 54830
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Village
mk238
1832
Watercolour
Painting ID:: 54930
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Village
mk238
1836
24.2x29.8cm
Painting ID:: 54942
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Village
mk239
Oil on canvas
Painting ID:: 55015
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Village
mk242
1867
86x126cm
Painting ID:: 55628
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Village
mk245
1865-1871
81.5x100cm
Oil on canvas
Painting ID:: 55857
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village
mk245
1854-1873
73.2x92.4cm
Painting ID:: 55877
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Jean Francois Millet
1814-1875
French
Jean Francois Millet Galleries
Millet was the first child of Jean-Louis-Nicolas and Aim??e-Henriette-Adelaide Henry Millet, members of the peasant community in the village of Gruchy, in Gr??ville-Hague (Normandy). Under the guidance of two village priests, Millet acquired a knowledge of Latin and modern authors, before being sent to Cherbourg in 1833 to study with a portrait painter named Paul Dumouchel. By 1835 he was studying full-time with Lucien-Th??ophile Langlois, a pupil of Baron Gros, in Cherbourg. A stipend provided by Langlois and others enabled Millet to move to Paris in 1837, where he studied at the Ecole des Beaux-Arts with Paul Delaroche. In 1839 his scholarship was terminated, and his first submission to the Salon was rejected.
After his first painting, a portrait, was accepted at the Salon of 1840, Millet returned to Cherbourg to begin a career as a portrait painter. However, the following year he married Pauline-Virginie Ono, and they moved to Paris. After rejections at the Salon of 1843 and Pauline's death by consumption, Millet returned again to Cherbourg. In 1845 Millet moved to Le Havre with Catherine Lemaire, whom he would marry in a civil ceremony in 1853; they would have nine children, and remain together for the rest of Millet's life. In Le Havre he painted portraits and small genre pieces for several months, before moving back to Paris.
It was in Paris in the middle 1840s that Millet befriended Constant Troyon, Narcisse Diaz, Charles Jacque, and Theodore Rousseau, artists who, like Millet, would become associated with the Barbizon school; Honor?? Daumier, whose figure draftsmanship would influence Millet's subsequent rendering of peasant subjects; and Alfred Sensier, a government bureaucrat who would become a lifelong supporter and eventually the artist's biographer. In 1847 his first Salon success came with the exhibition of a painting Oedipus Taken down from the Tree, and in 1848 his Winnower was bought by the government.
village
mk245
1854-1873
73.2x92.4cm
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