Australian Oil Painting
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Reproduction of master pieces

   

Francois Boucher Leda and the Swan oil painting reproduction


Francois Boucher

Leda and the Swan

1741 Stair Sainty Matthiesen Museum, New York
Painting ID::  144
 

 

LEONARDO da Vinci Leda and the Swan oil painting reproduction


LEONARDO da Vinci

Leda and the Swan

mk65 Panel 51 3/16x30 1/2in Uffizi,Depository
Painting ID::  28848
 

 

Jacopo Tintoretto Leda and the Swan oil painting reproduction


Jacopo Tintoretto

Leda and the Swan

mk65 Oil on canvas 58 1/16x5/ 1/16in Uffizi
Painting ID::  28899
 

 

Correggio Leda and the Swan oil painting reproduction


Correggio

Leda and the Swan

mk86 c.1531/32 Oil oncanvas 152x191cm Berlin,Gemaledgalerie,Staatliche Museen zu Berlin-Preubischer Kulturbesitz
Painting ID::  33487
 

 

Pontormo, Jacopo Leda and the Swan oil painting reproduction


Pontormo, Jacopo

Leda and the Swan

1512-13 Oil on wood, 55 x 40 cm
Painting ID::  52299
 

 

Cesare da Sesto Leda and the Swan oil painting reproduction


Cesare da Sesto

Leda and the Swan

1505-10 Oil on panel, 69,5 x 73,7 cm Wilton House, Salisbury This is a copy after the lost painting by Leonardo da Vinci
Painting ID::  62288
 

 

Jacopo Pontormo Leda and the Swan oil painting reproduction


Jacopo Pontormo

Leda and the Swan

between 1512(1512) and 1513(1513) Medium Oil on wood cyf
Painting ID::  89817
 

 

Jacopo Pontormo
Italian 1494-1557 Jacopo Pontormo Galleries Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter. His highly personal style was much influenced by Michelangelo, though he also drew on northern art, primarily the prints of Albrecht Derer.
Leda and the Swan
between 1512(1512) and 1513(1513) Medium Oil on wood cyf

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Oil Paintings & Picture Frames