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Supper at Emmaus
Painting ID:: 675
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Supper at Emmaus
mk101
Oil on canvas
134x104cm
Rijksmuseum,Amsterdam.
Painting ID:: 35322
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Supper at Emmaus
1538 Oil on canvas, 235 x 250 cm Sacristy, Parish Church, Cittadella Although undated, the painting is likely to go back to about 1538, a particularly felicitous period in Jacopo Bassano's art. Lorenzetti (1911) places it in the early part of the artist's stay in Bonifacio da Pitati's workshop and pointed out the obvious links with the latter's painting on the same theme, now to be seen in the Brera. There is a certain contrast between the solemn, hieratic figure of Christ and the rough and realistic close-up of the innkeeper on the one hand, and on the other, the little scene of the crouching dog being teased by the cat from a distance. The postures of the two disciples, the laboured perspective of the table, and some genre episodes were to recur in his later "Supper" version, now in the Borghese Gallery, Rome. The still-life in the centre of the work standing but against the linen tablecloth is a marvel of pictorial observation. A virtually lone harbinger of the main marks and elements of forthcoming Venetian painting (Tintoretto), Jacopo Bassano here sweeps the scene clear. In any case, light is the master here; it picks out the details and throws them into sharp outline. Artist: BASSANO, Jacopo Painting Title: Supper at Emmaus , 1551-1600 Painting Style: Italian , , religious
Painting ID:: 63018
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supper at emmaus
paris, muse'e du louvre. 290x440cm
se
Painting ID:: 69029
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Paolo Veronese
1528-1588
Paolo Veronese Galleries
Italian painter and draughtsman. With Titian and Tintoretto he makes up the triumvirate of great painters of the late Renaissance in Venice. He is known as a supreme colourist and for his illusionistic decorations in both fresco and oil. His large paintings of biblical feasts executed for the refectories of monasteries in Venice and Verona are especially celebrated. He also produced many altarpieces, history and mythological paintings and portraits. His compositional sketches in pen, ink and wash, figure studies in chalk, and chiaroscuro modelli and ricordi form a significant body of drawings. He headed a family workshop that remained active after his death.
supper at emmaus
paris, muse'e du louvre. 290x440cm
se
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