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Primavera
1477-80
Galleria degli Uffizi, Florence
Painting ID:: 131
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Primavera
c.1482
Tempera on panel
Galleria degli Uffizi
Florence, Italy
Painting ID:: 10009
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Primavera
c 1482
Whole and details.Florence Galleria degli Uffizi (mk57)
Painting ID:: 26939
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Primavera
c 1482 detail of Zephyrus(the winged breeze of springtime)as he pursues and catches the fleeing nymph chloris,to make her his bride. (mk57)
Painting ID:: 26940
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Primavera
c 1482 detail of the face of Flora,The Latin goddess of Spring.Florence,Galleria degli Uffizi
Painting ID:: 26945
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Primavera
c 1482
detail of Mercury Florence,Galleria degli Uffizi (mk57)
Painting ID:: 26949
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Primavera
mk68
Tempera on wood with oil glazes
Florence,Uffizi,
1481-1482
Painting ID:: 30442
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Primavera
mk142
ca.1478
Tempera on panel
203x314cm
Painting ID:: 39028
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Primavera
mk156
c.1478
Tempera on panel
203x314cm
Painting ID:: 40248
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Primavera
mk176
c.1478
tempera on panel
8x10
Painting ID:: 44776
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Primavera
mk176
c.1478
6.8x10.4in
Painting ID:: 44842
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Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
Primavera
mk176
c.1478
6.8x10.4in
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