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All The Paintings of Titian
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Titian This early portrait This early portrait (c. 1512) was long wrongly believed to be of Ariosto; it is more likely a self-portrait, and the composition was borrowed by Rembrandt for his own self-portraits. new21/Titian-924378.jpg
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Titian Salome, or Judith Salome, or Judith; this religious work also functions as an idealized portrait of a beauty, a genre developed by Titian, supposedly often using Venetian courtesans as models. new21/Titian-884635.jpg
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Titian It took Titian two years It took Titian two years (1516?C1518) to complete the oil painting Assunta, whose dynamic three-tier composition and color scheme established him as the preeminent painter north of Rome. new21/Titian-259524.jpg
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Titian Titian state portrait of Emperor Charles V at Mehlberg established a new genre, Titian's state portrait of Emperor Charles V at Mehlberg (1548) established a new genre, that of the grand equestrian portrait. The composition is steeped both in the Roman tradition of equestrian sculpture and in the medieval representations of an ideal Christian knight, but the weary figure and face have a subtlety few such representations attempt. new21/Titian-233245.jpg
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Titian Titian unmatched handling of color is exemplified by his Danae, Titian's unmatched handling of color is exemplified by his Danae, one of several mythological paintings, or "poesie" ("poems") as the painter called them, done for Philip II of Spain. Although Michelangelo adjudged this piece deficient from the point of view of drawing, Titian and his studio produced several versions for other patrons. new21/Titian-493557.jpg
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Titian The Rape of Europa is a bold diagonal composition which was admired and copied by Rubens. The Rape of Europa (1562) is a bold diagonal composition which was admired and copied by Rubens. In contrast to the clarity of Titian's early works, it is almost baroque in its blurred lines, swirling colors, and vibrant brushstrokes. new21/Titian-858765.jpg
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Titian The Death of Actaeon. The Death of Actaeon. In Titian's later works, the forms lose their solidity and melt into the lush texture of shady, shimmering colors and unsettling atmospheric effects. In addition to energetic brushwork, Titian was said to put paint on with his fingers toward the completion of a painting. new21/Titian-964547.jpg
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Titian Like so many of his late works, Like so many of his late works, Titian's last painting, the Piet??, is a dramatic scene of suffering in a nocturnal setting. It was apparently intended for his own tomb chapel. new21/Titian-755292.jpg
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Titian The Allegory of Age Governed by Prudence is thought to depict Titian, The Allegory of Age Governed by Prudence (c. 1565?C1570) is thought to depict Titian, his son Orazio, and a young cousin, Marco Vecellio. new21/Titian-379278.jpg
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Titian The Flaying of Marsyas, little known until recent decades The Flaying of Marsyas, little known until recent decades new21/Titian-933989.jpg
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Titian isabella of portugal wife of charles
1535 madrid, prado new21/Titian-597348.jpg
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Titian Christus und Maria Magdalena ca. 1512(1512)
Oil on canvas
109 x 91 cm
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Titian pesaro altar venice, frari new23/titlan-584397.jpg
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Titian l, assomption de la vierge se new23/titien-273848.jpg
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Titian la mise au tombeau se new23/titien-948773.jpg
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Titian Diana and Actaeon Date 1556 - 1559
Medium Oil on canvas
Dimensions 184.50 x 202.20 cm
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Titian Portrat Paul III Medium Oil on canvas
Dimensions Expression error: Missing operand for *108 ?? 80 cm
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Titian Die Himmlische Liebe Detail Date Deutsch: um 1512-1515
English: c. 1512-1515
Medium Oil on canvas
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Titian Portrat der Laura de Dianti Date Deutsch: um 1523
English: c. 1523
Medium Deutsch: ol auf Leinwand
English: Oil on canvas
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Titian Christus und Maria Magdalena Date ca. 1512(1512)
Medium Oil on canvas
Dimensions 109 x 91 cm
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