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     Allegory of the Four Seasons SG
     MANFREDI, Bartolomeo1.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

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Width


INS/CM

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  Allegory_of_the_Four_Seasons_SG
c. 1610 Oil on canvas, 134 x 91,5 cm Dayton Art Institute, Dayton

 
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     Bacchus and a Drinker d
     MANFREDI, Bartolomeo2.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  Bacchus_and_a_Drinker_d
1500-10 Oil on canvas, 132 x 96 cm Galleria Nazionale d'Arte Antica, Rome

 
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     Cupid Chastised sg
     MANFREDI, Bartolomeo3.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  Cupid_Chastised_sg
1605-10 Oil on canvas Art Institute of Chicago, Chicago

 
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     The Guard Room sg
     MANFREDI, Bartolomeo4.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  The_Guard_Room_sg
Oil on canvas, 169 x 239 cm Gemäldegalerie, Dresden

 
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     Lute Playing Young sg
     MANFREDI, Bartolomeo5.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     


Width


INS/CM

X


  Lute_Playing_Young_sg
Oil on canvas, 105 x 77 cm The Hermitage, St. Petersburg

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     MANFREDI,_Bartolomeo
    Italian Baroque Era Painter, 1582-1622 Italian painter. In the 17th century he was known throughout Italy and beyond as Caravaggio's closest follower and his works were highly prized and widely collected. More than simply aping Caravaggio's style, Manfredi reinterpreted his subjects and rendered new ones, drawing upon Caravaggio's naturalism and dramatic use of chiaroscuro. His paintings were often praised by his contemporaries as equal to Caravaggio's and he was subsequently emulated and imitated by other Roman Caravaggisti during the 1610s and 1620s. Yet by the 18th century his works were forgotten or confused with those of Caravaggio himself,

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