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     The Adoration of the Shepherds sf
     MANTEGNA, Andrea1.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     

Width


INS/CM

X

  The_Adoration_of_the_Shepherds_sf
c. 1451-53 Tempera on canvas tranferred from wood, 40 x 55,6 cm Metropolitan Museum of Art, New York
 
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     Agony in the Garden dth
     MANTEGNA, Andrea2.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     

Width


INS/CM

X

  Agony_in_the_Garden_dth
c. 1459 Tempera on wood, 63 x 80 cm National Gallery, London
 
 Click Image to Enlarge
     Agony in the Garden (detail) sg
     MANTEGNA, Andrea3.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     

Width


INS/CM

X

  Agony_in_the_Garden_(detail)_sg
c. 1459 Tempera on wood National Gallery, London
 
 Click Image to Enlarge
     Portrait of a Man ag
     MANTEGNA, Andrea4.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     

Width


INS/CM

X

  Portrait_of_a_Man_ag
c. 1460 Wood National Gallery of Art, Washington
 
 Click Image to Enlarge
     St Sebastian sgy
     MANTEGNA, Andrea5.jpg
INCHES CM PRICE  
16x20 40x50 AUD 97
20x24 50x60 AUD 130.95
24x36 60x90 AUD 169.75
30x40 75x100 AUD 218.25
36x48 90x120 AUD 266.75
48x72 120x180 AUD 480.15

Height     

Width


INS/CM

X

  St_Sebastian_sgy
1457-58 Wood, 68 x 30 cm Kunsthistorisches Museum, Vienna
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     MANTEGNA,_Andrea
    Italian Early Renaissance Painter, ca.1431-1506 Italian painter and printmaker. He occupies a pre-eminent position among Italian artists of the 15th century. The profound enthusiasm for the civilization of ancient Rome that infuses his entire oeuvre was unprecedented in a painter. In addition to its antiquarian content, his art is characterized by brilliant compositional solutions, the bold and innovative use of perspective and foreshortening and a precise and deliberate manner of execution, an aspect that was commented upon during his lifetime. He was held in great esteem by his contemporaries for his learning and skill and, significantly, he is the only artist of the period to have left a small corpus of self-portraits: two in the Ovetari Chapel; his presumed self-portrait in the Presentation in the Temple (Berlin, Gemeldegal.); one in the Camera Picta (Mantua, Pal. Ducale) and the funerary bust in his burial chapel in S Andrea, Mantua, designed and probably executed by himself. His printmaking activity is technically advanced and of great importance, although certain aspects of the execution remain to be clarified.
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