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Philipp Otto Runge
German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,
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Philipp Otto Runge the hulsenbeck children oil painting


the hulsenbeck children

Painting ID::  56178 		Philipp Otto Runge
German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,
the hulsenbeck children
mk247 c.1806,oil on canvas,51.75x56.375 in,131.5x143.5 cm,hamburger kunsthalle,hamburg,germany
   
   
     
Philipp Otto Runge Times of oil painting


Times of

Painting ID::  62449 		Philipp Otto Runge
German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,
Times of
712 x 475 mm Staatliches Kupferstichkabinett, Dresden Author: RUNGE, Philipp Otto Title: Times of Day: Day Form: graphics , 1801-1850 , German , study
   
   
     
Philipp Otto Runge Times of Day: Evening oil painting


Times of Day: Evening

Painting ID::  62450 		Philipp Otto Runge
German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,
Times of Day: Evening
712 x 475 mm Staatliches Kupferstichkabinett, Dresden Author: RUNGE, Philipp Otto Title: Times of Day: Evening Form: graphics , 1801-1850 , German , study
   
   
     
Philipp Otto Runge Colour Spheres oil painting


Colour Spheres

Painting ID::  62453 		Philipp Otto Runge
German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,
Colour Spheres
1809 Copper engraving with watercolour, 225 x 189 mm Kunsthalle, Hamburg Runge was in close contact with Goethe over questions of colour theory. In his correspondence Newton's name crops up , the person present in the spirit of the whole age, an age as Enlightened as it was searching. In his painting Runge sought to derive the visible "images" or "symbols" for the "all-unifying" principle not only from form but from colour too. Author: RUNGE, Philipp Otto Title: Colour Spheres Form: graphics , 1801-1850 , German , other
   
   
     
Philipp Otto Runge Ruhe auf der Flucht oil painting


Ruhe auf der Flucht

Painting ID::  71891 		Philipp Otto Runge
German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,
Ruhe auf der Flucht
1805-1806 Oil on canvas 98 x 132 cm
   
   
     
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     Philipp Otto Runge
     German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,

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