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Philipp Otto Runge
German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,
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Philipp Otto Runge Ruhe auf der Flucht oil painting


Ruhe auf der Flucht

Painting ID::  73174 		Philipp Otto Runge
German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,
Ruhe auf der Flucht
Date 1805-1806 Medium Oil on canvas Dimensions Deutsch: 98 X 132 cm cyf
   
   
     
Philipp Otto Runge Gruppenportrat von Philipp Otto Runge mit Selbstdarstellung des Kunstlers (rechts) zusammen mit seiner Frau Pauline und seinem Bruder Johann Daniel Ru oil painting


Gruppenportrat von Philipp Otto Runge mit Selbstdarstellung des Kunstlers (rechts) zusammen mit seiner Frau Pauline und seinem Bruder Johann Daniel Ru

Painting ID::  73589 		Philipp Otto Runge
German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,
Gruppenportrat von Philipp Otto Runge mit Selbstdarstellung des Kunstlers (rechts) zusammen mit seiner Frau Pauline und seinem Bruder Johann Daniel Ru
Gruppenporträt von Philipp Otto Runge mit Selbstdarstellung des KXnstlers (rechts) zusammen mit seiner Frau Pauline und seinem Bruder Johann Daniel Runge (links). cjr
   
   
     
Philipp Otto Runge seiner Frau oil painting


seiner Frau

Painting ID::  75305 		Philipp Otto Runge
German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,
seiner Frau
Deutsch: Gruppenporträt von Philipp Otto Runge mit Selbstdarstellung des Kenstlers (rechts) zusammen mit seiner Frau Pauline und seinem Bruder Johann Daniel Runge (links). Date 1805 cyf
   
   
     
Philipp Otto Runge Portrait of Otto Sigismund, the artists son oil painting


Portrait of Otto Sigismund, the artists son

Painting ID::  77965 		Philipp Otto Runge
German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,
Portrait of Otto Sigismund, the artists son
1805(1805) Oil on canvas 40 x 35.5 cm (15.7 x 14 in) cjr
   
   
     
Philipp Otto Runge The Morning oil painting


The Morning

Painting ID::  80118 		Philipp Otto Runge
German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,
The Morning
1808 Oil on canvas 106 x 81 cm cjr
   
   
     
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     Philipp Otto Runge
     German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,

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