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UCCELLO, Paolo
Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco
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UCCELLO, Paolo Bernardino della Ciarda Thrown Off His Horse (detail) wt oil painting


Bernardino della Ciarda Thrown Off His Horse (detail) wt

Painting ID::  9387 		UCCELLO, Paolo
Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco
Bernardino della Ciarda Thrown Off His Horse (detail) wt
1450s Tempera on wood Galleria degli Uffizi, Florence
   
   
     
UCCELLO, Paolo Micheletto da Cotignola Engages in Battle rt oil painting


Micheletto da Cotignola Engages in Battle rt

Painting ID::  9388 		UCCELLO, Paolo
Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco
Micheletto da Cotignola Engages in Battle rt
1450s Tempera on wood, 180 x 316 cm Mus??e du Louvre, Paris
   
   
     
UCCELLO, Paolo Micheletto da Cotignola Engages in Battle (detail) et oil painting


Micheletto da Cotignola Engages in Battle (detail) et

Painting ID::  9389 		UCCELLO, Paolo
Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco
Micheletto da Cotignola Engages in Battle (detail) et
1450s Tempera on wood Mus??e du Louvre, Paris
   
   
     
UCCELLO, Paolo Miracle of the Desecrated Host (Scene 1) t oil painting


Miracle of the Desecrated Host (Scene 1) t

Painting ID::  9390 		UCCELLO, Paolo
Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco
Miracle of the Desecrated Host (Scene 1) t
1465-69 Panel, 43 x 58 cm Galleria Nazionale delle Marche, Urbino
   
   
     
UCCELLO, Paolo Miracle of the Desecrated Host (Scene 2) t oil painting


Miracle of the Desecrated Host (Scene 2) t

Painting ID::  9391 		UCCELLO, Paolo
Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco
Miracle of the Desecrated Host (Scene 2) t
1465-69 Panel, 43 x 58 cm Galleria Nazionale delle Marche, Urbino
   
   
     
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     UCCELLO, Paolo
     Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco

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