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UCCELLO, Paolo
Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco
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UCCELLO, Paolo Miracle of the Desecrated Host (Scene 3) wt oil painting


Miracle of the Desecrated Host (Scene 3) wt

Painting ID::  9392 		UCCELLO, Paolo
Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco
Miracle of the Desecrated Host (Scene 3) wt
1465-69 Panel, 43 x 58 cm Galleria Nazionale delle Marche, Urbino
   
   
     
UCCELLO, Paolo Miracle of the Desecrated Host (Scene 4) aet oil painting


Miracle of the Desecrated Host (Scene 4) aet

Painting ID::  9393 		UCCELLO, Paolo
Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco
Miracle of the Desecrated Host (Scene 4) aet
1465-69 Panel, 43 x 58 cm Galleria Nazionale delle Marche, Urbino
   
   
     
UCCELLO, Paolo Miracle of the Desecrated Host (Scene 6) wt oil painting


Miracle of the Desecrated Host (Scene 6) wt

Painting ID::  9394 		UCCELLO, Paolo
Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco
Miracle of the Desecrated Host (Scene 6) wt
1465-69 Panel, 43 x 58 cm Galleria Nazionale delle Marche, Urbino
   
   
     
UCCELLO, Paolo An Angel (detail) ewt oil painting


An Angel (detail) ewt

Painting ID::  9395 		UCCELLO, Paolo
Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco
An Angel (detail) ewt
c. 1435 Fresco San Miniato al Monte, Florence
   
   
     
UCCELLO, Paolo Sts John on Patmos (Quarate predella) set oil painting


Sts John on Patmos (Quarate predella) set

Painting ID::  9396 		UCCELLO, Paolo
Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco
Sts John on Patmos (Quarate predella) set
1435-40 Panel, 20,5 x 41 cm Museo Arcivescovile, Florence
   
   
     
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     UCCELLO, Paolo
     Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco

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